[Spitfire Audio Orchestral Synthesizer] Spitfire Audio Orchestral Swarm [KONTAKT] (27.58Gb)

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act asorchestral musicA new standard in sample library innovation, this will significantly expand your existing orchestral palette to include a vast array of completely unique textures. As an alternative to using only straight long notes, the library utilizes the spot color effect, which involves having multiple players play short notes at random intervals to produce undulating swells of sound that can be played in real time for inspiring results. Using our Swarm method, but for orchestras, it gets more detail by utilizing the multiple articulations and playing styles of the orchestral instruments and gives your compositions a smooth dynamic that dances with the picture. The library was created exclusively with Bleeding Fingers and featured on the Blue Planet ii and Hans Zimmer/Radiohead collaboration "(ocean) bloom".

New orchestral sounds

This library is an innovative collaboration with Bleeding Fingers (Planet Earth II, Sons of Liberty, Roman Empire: Reign in Blood), who wanted to create this library for use in the BBC's flagship series: Blue Planet II. Their concept was to record multiple players playing random short notes of the same pitch. The effect will be a grainy "cloud" of notes - a beautiful long sound texture created from layers of micro-moments used in place of more traditional long notes; the perfect soundtrack to Oceanic Happen-On's groundbreaking TV program.

Now, we at Spitfire know this approach very well - it's the same technique we used for the Swarm library, and this opportunity pushed us into new territory - harnessing the power of the orchestra in this Swarm technique. We quickly and secretly provided the Bleeding Fingers team with an initial library specifically for the show, and Hans Zimmer and Radiohead even went on to use it as part of their "(ocean) bloom" collaboration. We then returned to the studio to capture more content with the orchestra, including short notes and expanded techniques and layers to create the most complete tool for media composers.

If you're tired of static long tones or have outgrown shorts ostinatos, this new approach to orchestral sample textures will enliven your work. Join the pioneers of modern concert music and soundtracks as they explore new alliances in orchestral works.

Colorful Ocean

The library consists of various string, brass and woodwind ensembles, recorded individually and using the Swarm pointillist method, using the techniques most customary for these instruments. Many of these sounds have never been sampled before. From the "pop" of the bassoon to the "fluttering tongue" of the horn, we took a wide range of techniques and put them together using the Swarm method (each player plays short notes at random to produce beautifully randomized clouds of sound) to provide a greatly expanded sound for your existing orchestra with a greatly increased sound palette. The included individual ensemble shorts further expand your options for adding rhythmic elements to your compositions. In addition, two onboard reverbs - a tight "stage" sound and a longer, richer "hall" sound - make mixing Swarms with your existing orchestral library with your existing orchestral library a breeze.

Britain's Grove Fjord

As with any other Spitfire library, we've taken a no-holds-barred approach to these sessions, this time in one of the best-collected and most closely maintained studios on the planet: the British Grove.Founded by Mark Knopfler, the British Grove is one of the few large-scale studios constructed in the new millennium, and its unique vision of Combining state-of-the-art technology with legendary originals (it boasts two original and fully restored EMI desks used by Sir George Martin and The Beatles) has allowed it to leave a noteworthy legacy.

The signal path for the day featured the Neve 88r console, using the onboard pres and Broadhurst Gardens pres for the room mics, and the EMI TG console pres for some of the center room mics. Transducers included Royers, Ela M, Neumanns and Coles.

The recording stage is a medium-sized, semi-reverberant room that allows for precise detail, but has enough energy to maintain character and fullness.

How it works

Key data

• 25565 samples
• 50.1 GB uncompressed .WAV
• Requires 29.7 GB of disk space
• 59.4 GB of disk space is required during installation

A new standard in orchestral sample library innovation, this will significantly expand your existing orchestral palette to include a huge variety of totally unique textures. As an alternative to just using straightforward long notes, this library draws upon the pointillistic effect of having As an alternative to just using straightforward long notes, this library draws upon the pointillistic effect of having multiple players perform short notes at random intervals to create an undulating swell of sound that can be performed in real time for inspiring results. Taking our Swarm approach, but adapted for the orchestra, it gives access to even greater detail by utilizing the huge variety of articulations and playing styles of orchestral instruments. Taking our Swarm approach but adapted for the orchestra, it gives access to even greater detail by utilizing the huge variety of articulations and playing styles of orchestral instruments and will give your compositions a liquid dynamic that dances alongside the picture. created exclusively in collaboration with Bleeding Fingers, and is featured in Blue Planet ii and Hans Zimmer/Radiohead's collaboration "(ocean) bloom".

A NEW ORCHESTRAL SOUND

This library is an innovative collaboration with Bleeding Fingers (Planet Earth II, Sons Of Liberty, Roman Empire: Reign Of Blood), who wanted to create This library to use for the BBC's flagship series: Blue Planet II. Their concept was to record multiple players performing random short notes of the same pitch. The effect would be a granular "cloud" of notes - beautiful long sonic textures created from layers of micro-moments to the tune of the same pitch. The effect would be a granular "cloud" of notes - beautiful long sonic textures created from layers of micro-moments to be used in place of more traditional long notes; a perfect soundtrack to the oceanic goings-on as featured in the groundbreaking television show.

Now, we at Spitfire know this approach well - it was this technique that we use for our Swarm libraries, and this opportunity pushed us towards Now we at Spitfire know this approach well - it was this technique that we use for our Swarm libraries, and this opportunity pushed us towards a new territory - to utilise the power of an orchestra in this Swarm technique. We delivered an initial library quickly and in secret for the team at Bleeding Fingers to use exclusively for the show. "We then later returned to the studio to capture even more with the orchestra, including short notes and expanded techniques and layers, to create the most beautiful and beautiful show. We then later returned to the studio to capture even more with the orchestra, including short notes and expanded techniques and layers, to create the most complete tool for media composers.

If you tire of static sounding longs, or have fallen out of love with shorts ostinatos, this new textural approach to orchestral sampling will add life to Join the pioneers of modern concert music and scoring to explore a new league of orchestral compositions.

AN OCEAN OF VARIETY

The library consists of various string, brass and woodwind ensembles, recorded individually and with the Swarm pointillistic approach, using techniques most idiomatic for those instruments. Many of these sounds have never been sampled before. From bassoon 'pops' to horn 'flutter tongues', we've taken a wide range of techniques and thematic arrangements. horn 'flutter tongues', we've taken a wide range of techniques and combined them via the Swarm approach (where players each randomly play short notes to create a beautifully random cloud of sound) to give a vastly increased sound palette to your existing orchestra. The included individual ensemble shorts also further extend your options, enabling you to add a rhythmic element to your work. In addition, the provision of two reverbs on board - one for each player and the other for each player - is a great way to enhance the sound quality of your orchestra. In addition, the provision of two reverbs on board - a tight 'stage' sound and a longer more lush 'hall' sound - In addition, the provision of two reverbs on board - a tight 'stage' sound and a longer lush 'hall' sound - makes blending the Swarms with your existing orchestral libraries a breeze.

the british grove sound

We've applied the same no-expense-spared approach to these sessions as any other Spitfire library, this time at one of the most well- stocked and highly-maintained studios on the planet: British Grove. Founded by Mark Knopfler, British Grove is one of the few large-scale studios to have been built in the new millennium, and its unique vision to combine state-of-the-art technology with the latest technology. been built in the new millennium, and its unique vision to combine state-of-the-art technology alongside legendary original pieces (it owns two original and fully-restored EMI desks as used by Sir George Martin and The Beatles) has it marked out to leave behind a noteworthy legacy.

The signal path on the day featured the Neve 88r console, utilizing both the onboard pres as well as the Broadhurst Gardens pres for room mics and the EMI TG console pres for some of the mid room mics. The signal path on the day featured the Neve 88r console, utilizing both the onboard pres as well as the Broadhurst Gardens pres for room mics and the EMI TG console pres for some of the mid room mics.

The recording stage is a medium-sized, semi-reverberant room allowing for precise detail but with enough energy to maintain a character and fullness.

HOW IT WORKS

KEY STATS

• 25565 SAMPLES
• 50.1 GB UNCOMPRESSED .WAV
• 29.7 GB DISK SPACE REQUIRED
• 59.4 GB DISK SPACE REQUIRED DURING INSTALL

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