[Organ Audio] Soundiron Alpha Organ v2 [KONTAKT] (17.77Gb)

KONTAKT - 17,77 GB

Video Demo:

Tone Introduction:

Alpha Organ has assembled a pair of beautifully sampled organs, recorded separately and together at St. Paul's Church in San Francisco, California. Each organ contrasts sharply with the other, and when both are played in unison at the same time, the sound is wonderful. We captured both instruments individually and together with a variety of microphone types and positions to give you a variety of aesthetic options.

Built by the Kilgen Church Organ Company of St. Louis, Missouri, the "lower" organ was originally water-powered, but was later converted to an electric blower-driven system. The console is located on the south island near the side door, its pipes are hidden behind the altar, and the blower and machinery are located under the floor of the Apse, allowing the lowest pedal notes to resonate through the floor, seemingly shaking the foundations.

The upper organ is larger and more elaborate and was built by the Felix F. Shoenstein & Sons Organ Company of San Francisco. It is arranged high above the Gate and Narthex, in a mezzanine between the two bell towers. The first organ - our "Alpha" organ - is sweet and silky in tone, while the second - our "Omega" organ - is thunderous and powerful in body and energy, with a more powerful blower, larger console and more pipes.

We think the space has extraordinary acoustic properties that border on the mystical. Every time we record there, we experience wave after wave of strange synchronicities. The whole hall seems to sing, as if it were a great living instrument. In honor of the heightened sense of strangeness that the space seemed to evoke, we enriched the library with a very wide range of sound design environments, leads, percussion pads, drones, and custom effect presets, delving into psychoacoustics and metaphysical aesthetics. The church was built by its own perishoners over a twenty-year period, beginning in 1897, delayed by the 1906 San Francisco earthquake, and finally completed in 1911, using stone salvaged from the ruined city itself. It has a lush texture, full of spacious ventilation and crystalline transparency, without a hint of muddiness or oversaturation. This reverberant hall is one of our favorite recording locations, home to our acclaimed Requiem for a Gentle Symphonic Choir, the Native Instruments Symphony Series brass ensemble and solo ensembles, and many other classic Soundiron libraries.

element

We've added powerful sound-shaping controls to the user interface to give you complete flexibility. All presets include controls for volume swell, onset and release times, sample start offset, vibrato and sound bank selection. The main preset also features a mic mixer and octave effect. the Layered preset includes four separate sound layers, each with a full set of parameters that can be linked, automated, and customized. The first three layers are the Near (Mic 1), Center (Mic 2) and Far (Mic 3) mic positions. The fourth layer is the Ambiences layer. We used a variety of sound design techniques to morph the sounds of the journey into 30 different tones and dissonant percussion pads, synthesizer tones, and ambient dreamscapes. They can be played individually or used to add texture and body to the main sounds.

In the Advanced Settings drop-down window, you'll also find an adaptable per-layer LFO system with selectable LFO shapes, modulation target parameters, tempo, intensity, tempo sync, and fade time. You can also apply your choice of 13 low-pass, high-pass, and FX filters, as well as assignable modulation targets such as force, modulation wheel, expression, aftertouch, key, and step sequencer meter controls. Our customizable arpeggiator features a built-in intensity sequencer meter that controls arp direction, note timing, swing, randomization, and duration. The built-in modular FX Rack window offers 27 different DSP effect modules that you can assign in any of the 8 available slots in any order you want. You'll find classic phasers, flangers, delays, distortions, amp and cabinet simulators, compressors, EQs, rotators, and more. the Reverb effector includes 99 of our own convolution reverb pulse presets. We've captured a wide variety of room, hall, room, and outdoor environments, along with 139 unique, quirky, and creative effects pulses to revolutionize sound and open up a whole new world of musical possibilities.

Product Specification

- Product Version 2.0
- Two depth-sampling pipe organs with three microphone positions: near, center, and far
- Alpha Organ 12 Pins, Omega Organ 20 Pins, Unity Organ 3 Pins, Pedal Tone + SFX
- 16,671 samples
- 17.7 GB installed (29 GB wav source)
- 24-bit, 48 kHz stereo lossless NCW format
- Flexible and intuitive user interface with specialized features, deep customizability and simple workflows
- Designed for free Kontakt Player (version 6.2.2+), Komplete Kontrol, all S-Series keyboards, and Native Instruments
Designed for use with Kontakt's NKS software and hardware - works with Kontakt "Libraries" browser and Native Access.

Tone Introduction:

Alpha Organ features a beautifully sampled pair of pipe organs recorded individually and together at St. Paul's Church in San Francisco, CA. . Each organ offers a distinct contrast to the other and when the two are played simultaneously in unison, the sound is glorious. captured both instruments individually and together in unison, with multiple microphone types and positions to offer you a variety of aesthetic options .

The "lower" organ, built by Kilgen Church Organ Company of Saint Louis, MO, was originally water-powered, but has since been converted to an electric blower-driven system. The console is in the south isle near the side entrance and its pipes are hidden behind the altar with the blower and machinery under the floor of the Apse, allowing the lowest pedal notes to reside on the floor of the Apse. The console is in the south isle near the side entrance and its pipes are hidden behind the altar with the blower and machinery under the floor of the Apse, allowing the lowest pedal notes to resonate through the floor, seeming to shake the very foundation.

The upper organ, far larger and more elaborate, was built by the Felix F. Shoenstein & Sons Organ company of San Francisco. It is arrayed high above the portcullis and Narthex in a mezzanine between the two bell towers. It is arrayed high above the portcullis and Narthex in a mezzanine between the two bell towers. Where the first organ - our "Alpha" Organ - is sweet and silky in its tone, the second - our "Omega" Organ - is thunderous and mighty in its body and energy, with a more powerful blower, larger console and many more pipes.

We feel that this space has extraordinary acoustic properties bordering on the mystical. The entire hall seems to sing as if one great living instrument. To honor the high strangeness that the space seems to evoke, we've enriched this library with a very wide selection of sound designed to meet the needs of the community. To honor the high strangeness that the space seems to evoke, we've enriched this library with a very wide selection of sound designed ambiences, leads, pads, drones and custom effect presets, delving deeply into the world of sound. We've enriched this library with a very wide selection of sound designed ambiences, leads, pads, drones and custom effect presets, delving deeply into psychoacoustic and metaphysical aesthetics. The church was built by its own perishoners over a period of two decades, starting in 1897, delayed by the 1906 San Francisco earthquake and finally completed in 1911, using stone salvaged from the ruined city itself. lush, pristine quality full of spacious airiness and crystal clarity, without a hint of cloudiness or oversaturation. This reverberant hall is one of our This reverberant hall is one of our very favorite recording locations, home to our acclaimed Requiem Light Symphonic Choir, the Native Instruments Symphony Series Brass Ensemble and Solo collections and many other classic Soundiron libraries.

Contents

We've packed the user interface with powerful sound-shaping controls to give you complete flexibility. Controls for volume swell, attack and release time, sample start offset, vibrato, and sound bank selection are included in all presets. Controls for volume swell, attack and release time, sample start offset, vibrato, and sound bank selection are included in all presets. The main preset also features a microphone mixer and an octave effect. The Layered preset includes 4 independent sound layers, each with a full set of parameters that can be linked, automated and customized. The first three layers are the Close (Mic 1), Mid (Mic 2) and Far (Mic 3) microphone positions. The fourth layer is the Ambiences layer. We used various sound-design tricks to morph the sounds from our journey into 30 different tonal and dissonant pads, synth-tones and ambient dreamscapes. They can be played by themselves, or used to add texture and body to the primary sounds.

In the advanced settings pull-down window, you'll also find an adaptable per-layer LFO system, with selectable LFO shape, modulation In the advanced settings pull-down window you'll also find an adaptable per-layer LFO system, with selectable LFO shape, modulation parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 13 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, mod-wheel, expression, after-touch, key position and step-sequencer table control. customizable arpeggiator features a built-in velocity sequencer table and control over arp direction, note timing, swing, randomization and duration. The built-in modular FX rack window offers 27 different DSP effect modules that you can assign in any of the 8 available slots, in any order that you wish. 'll find classic phase, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. includes 99 of our own convolution reverb impulse presets. We've captured a huge variety of different rooms, halls, chambers and outdoor environments, along with 139 unique, strange and creative special effect impulses to completely transform the sound and open up whole new worlds of musical possibility.

Product Specs

- Product Version 2.0
- Two deeply sampled pipe organs with three microphone positions: Close, Mid, Far
- 12 stops in Alpha organ, 20 stops in Omega organ, 3 stops in Unity organ, Pedal tones + SFX
- 16,671 Samples
- 17.7 GB installed (29 GB wav source)
- 24-bit, 48 kHz Stereo Lossless NCW Format
- Flexible and intuitive user interface with pro features, deep customizability and simple workflow
- Made for the free Kontakt Player (version 6.2.2+), Komplete Kontrol, all S-Series Keyboards and NKS software and hardware by Native Instruments Komplete Kontrol, all S-Series keyboards and NKS software and hardware by Native Instruments
- Works with the Kontakt "Libraries" browser and Native Access

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