[Falcon Extended Soundbank Preset Ambient Ambience FX] UVI Soundbank Whoosh FX v1.1.4 (1.37GB)

Team DECiBEL | 10 January 2025 | 1.37 GB

Installation method:

1. Installation and activation of sampler: UVI UVI Workstation v4.0.0 [WiN]
2. Add the path to the folder containing the .ufs library in the software menu settings.
3. Copy the activation certificate from R2R to: C:/ProgramData/UVI/R2R (show hidden files).
4. Reboot to open UVI Workstation

Built by sound designers, for sound designers, Whoosh FX is an easy-to-grasp and powerful tool for generating a wide range of motion, wind, and whistling effects. You can set the duration, customize 3 separate layers that contain a rich variety of noise and texture sounds in categories such as air, electrical, fire metal, orchestral, water, wind, and more, as well as choose an envelope preset or draw with your mouse, add motion, Doppler effects, transform sounds with a distorted vowel filter, and add studio-grade effects including convolvers, digital equalizers, delays, IR reverbs, Limiter, and more.Whoosh FX offers a wealth of features and a clear, intuitive interface that makes it easy to generate a wide range of sound effects, from synchronized sounds for motion graphics, TV, and movies, to rich, dynamic soundbeds for music and environmental applications.

At the heart of Whoosh FX are 3 sound sources: Noise, Texture 1 and Texture 2. These 3 sources are fully configurable, with separate envelopes for controlling amplitude and filters (located in the center of the user interface), multi-mode filters, stereo position, tilt, pitch, and volume controls to help you create a wide variety of sounds quickly.

The Noise layer contains 11 synthesized noises to choose from, including Ribbon Noise, S+H Noise, Purple Noise, Blue Noise, White Noise, Pink Noise, Brown Noise, Lorentzian Noise, Rossler Noise, Logic Noise, and Sine Noise. Meanwhile, Texture 1 and Texture 2 layers add a variety of specialized field recordings and synthesized sound sources created specifically for Whoosh FX. Sounds are organized by category, including Air, Distortion, Electric, Fire, Effect, Material, Metal, Motor, Noise, Orchestral, Rock, Glitter, Synthesizer, Water, and Wind, and can be independently pitch-adjusted by +/- 24 semitones.
Each layer can have a unique filter mode (LP, Comb, or HP) and cutoff frequency, and all layers can be edited individually or simultaneously. Select the Sources tab at the bottom and you'll find controls for Noise and Texture types, as well as layer-specific parameters such as Pan, Skew, Pitch and Width. Textures 1 and 2 both include Randomize and Undo buttons, so it's easy to get random inspiration and quickly go back when you're out of range.

Created by and for sound designers, Whoosh FX is an easy-to-master yet powerful tool for generating all manner of movement, wind and whoosh-type effects. Set duration, customize 3 discrete layers with a deep selection of noises and textural sounds with categories including air, electrical, fire metal, orchestral, water, wind and more, choose envelope and then click the "Whoosh FX" button. orchestral, water, wind and more, choose envelope presets or draw them in with your mouse, add movement, doppler effects, transform your sound with a morphing vowel filter, and add studio-grade effects including convolver, digital EQ, delay, IR reverb, limiter and more. Whoosh FX offers a deep feature set packed in a clear and intuitive interface, easily yielding everything from synchronized sound effects for motion graphics, television and films to rich, moving soundbeds for musical and environmental applications.

At the heart of Whoosh FX are 3 sound sources: Noise, Texture 1, and Texture 2. These 3 sources are fully-configurable, with discrete envelopes These 3 sources are fully-configurable, with discrete envelopes controlling amplitude and filter (seen in the center of the UI), multi-mode filters, stereo placement, tilt, pitch and level controls, helping you quickly create a huge variety of different sounds.

The Noise layer contains 11 types of synthesized noise to choose from including Band, S+H, Violet, Blue, White, Pink, Brown, Lorenz, Rossler, Logistic and Sinus, meanwhile the Texture 1 and 2 layers add a wide selection of dedicated field recordings and synthesized sound sources created specifically for Sounds are organized by category and include Air, Distorted, Electricity, Fire, Fx, Material, Metal, Motor, Noise, Orchestral, Rock, Sparkle, Synth, Water and Wind. Sparkle, Synth, Water and Wind, and can be independently pitched by +/- 24 semitones.
Each layer can have a unique filter mode (LP, Comb or HP) and cutoff frequency, and can be edited individually or all at once. Selecting the Sources tab at the Selecting the Sources tab at the bottom you'll find controls for the noise and texture types along with layer-specific parameters such as pan, tilt, pitch, and width. Texture 1 and 2 both include Randomize and Undo buttons allowing for chance inspiration and a quick way back in case you overstep.

Team DECiBEL

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