0TH3Rside | 10 January 2018 | 28.5 MB
专为 Kontakt 5 深度采样的西藏颂钵,拥有两种演奏技法:击打和延音。该乐器采用多种动态层和循环采样,并封装成一款易于使用的 Kontakt 乐器。
这个音色库收录了深度采样的西藏颂钵,以近距离立体声录制,并映射至四个八度的可演奏范围。音色库捕捉了两种演奏技巧——延音(通过用木槌在钵沿做圆周运动产生)和击打。这两种演奏技巧都录制了多个动态层,从而实现了非常细腻逼真的演奏。
该乐器的编程充分考虑了易用性。只需在演奏延音时移动调制轮,即可在不同动态级别之间平滑切换。演奏真正的颂钵时,动态变化通常非常缓慢,因为钵体需要时间振动和共振。将“速度”控制设置为较低值可以通过在动态层之间逐渐淡入淡出来模拟这种变化。
真正的颂钵的另一个特点是槌子偶尔会因摩擦而刮擦钵体的声音。使用“锈蚀”控制可以为延音添加额外的刮擦噪音。
A deep sampled Tibetan bowl for Kontakt 5, featuring two articulations: hits and sustains. The instrument was sampled with a multitude of dynamic layers and round robins, and packaged in an easy-to-use Kontakt instrument.
This library features a deeply sampled Tibetan Singing Bowl, recorded in close stereo, and mapped across a playable range of four octaves. Two articulations were captured – sustains (created by moving the wooden mallet in a circular motion around the rim of the bowl) and hits. Both these articulations were recorded with a multitude of dynamic layers, which allows for very delicate and realistic playing.
The instrument was programmed with ease of use in mind. Simply move the mod wheel while playing sustains to smoothly morph between different dynamic levels. When performing a real singing bowl, changes in dynamics are often very slow, since the bowl takes time to vibrate and resonate. Setting the ‘speed’ control to a low value will simulate this, by gradually fading between the dynamic layers.
Another characteristic of a real singing bowl is the sound of the mallet occasionally scraping against the bowl due to friction. Use the ‘Rust’ control to add additional scraping noise to the sustains.
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