[Film & TV Horror Suspense Metal Percussion Melodic Soundtrack] Soundiron Iron Throne 2.0 [KONTAKT] (719Mb)

[影视恐怖悬疑金属打击旋律音源]Soundiron Iron Throne 2.0 [KONTAKT](719Mb)插图

Team Flare | 22 November 2020 | 719 MB

This little monster is a very, very creepy and dark metalpercussionand semi-melodic effects collection, perfect for horror and suspense soundtracks, sound design, trailer effects and post-production, experimental and ambient music, or any other use you can think of. The origin of this strange creation/discovery will always remain a taboo secret - even though we ran a contest where over 130 people tried to guess its origin. What we can tell you is that we hammered and played it as hard as we could ...... or as hard as we could, depending on how you look at it. We used bows, mallets, metal rods, rubber balls, fingers, fists, drumsticks, nylon, metal brushes, files and rasps, water and clay to make all sorts of demonic songs from this contraption.

We use viola bows at the edge of the throne to create weird melodies and dissonant tones. Includes several types of bowed string instrument groups including long sustains, medium glissando effectors, short staccato, short staccato, and vibrato sustains. There are many different mallet rubbing, paintbrush, finger and comb effects to explore. Finger Drag, Rubber Ball and Flat Mallet Rubbing are created by dragging the edge of the mallet (or finger) along the surface on the throne in long arcs and lines. This causes it to resonate in a similar way to rubbing a gong. Mallet percussion is made with wooden, felt and metal-tipped mallets and sticks to produce a standard metal percussion set. In Iron Throne 2.0, we created new ambient sounds, drones, and ambient pads from the original source recordings. The library also includes 20 new custom FX presets for instant inspiration for your next movie/video game score, soundtrack or music composition.

element
Kontakt The interface includes a set of automation-ready sound-shaping controls that give you complete creative flexibility. You can control swells, kicks, releases, offsets, vibrato, filters, pitch (coarse and fine), clarity switching, crossfades, layering, and more. We've also included 20 uniquely sound-designed custom FX presets, giving you lots of creative options.

The library comes with an adaptable LFO system with selectable LFO shapes, modulation target parameters, velocity, intensity, velocity synchronization, and fade times. You can also apply your choice of 12 low-pass, high-pass, and FX filters, as well as assignable modulation targets such as Intensity, Mod Wheel, Expression, Aftertouch, Key, and Step Sequencer Meter controls. Our customizable arpeggiator provides an intensity meter with controls for arp direction, time, swing, randomization, and duration. We include a key and scale lock system that limits your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded off by our modular FX rack panel, featuring 18 different DSP effect modules that you can assign in any of the 10 available slots in any order you like. You'll find classic phase shifters, flangers, delays, distortion, amp and cabinet simulators, compressors, equalizers, rotators, and more. The Reverb effects include our favorite convolution reverb impulse responses for 99 different room, hall, chamber, and outdoor environments, as well as another 40 custom FX impulses that radically change the sound and open up a whole new world of musical possibilities. We've added tons of FX rack-chain factory presets to help you get started!

system requirements::
The full retail version of Native Instruments Kontakt version 5.5 (or later) is required to use the .nki instrument presets included in this library. The free Kontakt "Player" and "Add Library" import processes do not support this standard open-format Kontakt library. Mac OSX 10.9 or higher. This library is recommended for dual-core CPUs, 2 GB of system Ram, and SATA or SSD hard drives.

Contains:

An open Kontakt format
Main NKI Instrument Library Bowed sustain, stabs, effects, brushes, fingers, comb percussion, rubber, felt, mallet friction, percussion
30 slave content
Created ambient tone 24-bit/48 kHz uncompressed PCM wav sample
20 FX and ambient presets for customized sound design
899 stereo WAV files
1.1 GB installed
Flexible and intuitive multi-layer user interface controls with LFOs, filters, glides and arpeggiators
.. Full FX racks with convolution reverb for custom rooms, halls, interiors and FX environments.

This little beast is a very, very eerie and dark collection of metallic percussive and semimelodic effects, ideal for use in horror and suspense scoring, sound design, trailer effects and post production, experimental and ambient music, or anything you can think to do with it. This little beast is a very, very eerie and dark collection of metallic percussive and semimelodic effects, ideal for use in horror and suspense scoring, sound design, trailer effects and post production, experimental and ambient music, or anything else you can think to do with it. The origins of the strange creation/discovery will remain a forbidden secret - even though we had a contest where over 130 people tried to guess its origins. What we can tell you is that we beat and played the hell out of it... or in to it, depending on how you look at it. We used bows, mallets, metal rods, rubber balls, fingers, fists, drum sticks, nylon, metal brushes, rasps and files, water and earth to lift all manner of demon song from this contraption.

We used viola bows on the throne edges to create eerie melodic and dissonant tones. Several types of bowed instrument sets are included, including long Several types of bowed instrument sets are included, including long sustains, medium gliss effects, short staccato, spiccato, and tremolo sustains. There are a number of different mallet rubs, brush, finger, and comb effects to explore. There are a number of different mallet rubs, brush, finger, and comb effects to explore. The finger drags, rubber ball, and flat mallet rubs were created by dragging the edge of the mallets (or fingers) along surfaces on the throne, in long arcs and lines. The finger drags, rubber ball, and flat mallet rubs were created by dragging the edge of the mallets (or fingers) along surfaces on the throne, in long arcs and lines. This caused it to resonate in a similar fashion to a rubbed gong. Mallet strikes were produced with wooden, felt, and metal tipped mallets and sticks to produce standard metal percussion sets. For Iron Throne 2.0, we created brand new ambiences, drones and atmospheric pads from the raw source recordings. For Iron Throne 2.0, we created brand new ambiences, drones and atmospheric pads from the raw source recordings. This library also contains 20 new custom FX presets to give you instant inspiration for your next film/video game score, soundtrack or music composition. soundtrack or music composition.

CONTENTS
The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more. 've also included 20 unique sound-designed custom FX presets to give you lots of creative options.

This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Our customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. We've included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.

The interface is rounded-out by our modular FX rack panel, with 18 different DSP effect modules that you can assign in any of the 10 available slots, in any order You'll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments The Reverb effect includes our favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. We've added a great bank of FX rack chain factory presets to get you started!

System Requirements
The full retail version of Native Instruments Kontakt version 5.5 (or later) is required to use .nki instrument presets included in this library. The free Kontakt "Player" and "Add Library" import process do not support this standard open-format The free Kontakt "Player" and "Add Library" import process do not support this standard open-format Kontakt library. Windows 7 or higher. Mac OSX 10.9 or higher. Dual Core CPU, 2 GB System Ram, SATA or SSD hard drive recommended for this library.

Contains.

One master NKI instrument bank in open Kontakt format
Bowed Sustains, Stabs, FX, Brush, Finger, Comb Percussion, Rubber, Felt, Wooden Mallet Rubs, Strikes
30 Ambience patches created from the source content
24 bit / 48 kHz uncompressed PCM wav samples
20 Custom Sound-Designed FX and Ambient presets
899 Stereo WAV files
1.1 GB installed
Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments

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