P2P | 09 October 2024 | Update ONLY | 445 MB
P2P | 14 February 2019 | 42.2 GB
Time, Textureorchestral musicsquadrons
How does time affect sound? Can sound exist without time? Can a single note have a rhythm? This compilation answers these questions with an unusual orchestra that seems to disrupt the passage of time.
A medium-sized orchestra and choir combine to create unique shifting textures - clearly rooted in organic sound, but drifting unknowingly into the ether. Advanced articulations and dynamic gestures add nuance and movement. TIME Macros feature full parts, 10 separate ensembles and evocative "Chrono Structures" for immediate inspiration. Essential for all types of contemporary soundtracks and perfect for scoring and sound design.
Unique Chrono Structures
Examining time in a musical context, we layered sounds to create complex orchestral textures we call Chrono Structures. they are divided into two groups: Time Orchestra and Altered Time.
The Time Orchestra section provides layered instruments that play sustain. Each carefully constructed patch is its own sound world with undulating detail in response to the modulation wheel.
In the Altered Time section, the sustain has layers of instruments that move forward and backward and can be slowed down or sped up. The effect is mesmerizing, suspending the normal passage of time.
10-instrument ensemble, 3 full parts
We recorded 10 medium-sized orchestral ensembles including strings, woodwinds and brass, as well as double reeds, harp and vibraphone, and female and male choirs. All ensembles play sustain, advanced articulation, and dynamic gestures, so you can easily layer sounds.
For a broader sound, the TIME macro also provides full parts for strings, woodwinds and choir. These parts also play sustains that correspond to the articulations in the rest of the ensemble, so everything blends together perfectly.
Ensemble size
Strings: 20 violins / 8 violas + 8 cellos / 8 cellos + 6 double basses
Woodwinds: 4 flutes + 4 clarinets / 4 oboes + 4 bassoons / 4 clarinets + 4 bass clarinets
Brass: 4 trumpets + 4 trombones
Chorus: 12 female choristers / 12 males
Choir members Mixing: 2 harps + 2 vibraphones
Recording at Teldex
All instruments are carefully sampled in the famous Teldex Studoi main room in Berlin, and you can blend these sounds seamlessly with the rest of your Orchestral Tools library.
We captured everything with 4 mic positions: a spot mic for close-ups, a Decca tree for classic Teldex sounds, an extra A/B mic for clarity, and some surround mics for air and space.
Version 2.0.0:
increase
- NKS 2.0 Compatibility
- New polyphonic aftertouch instrument/patch type
- 40 new aftertouch presets
- Updated all patches to NKS 2.0 for compatibility with the new MK3 keyboard, allowing automated control of more parameters such as panning, velocity range, cutoff filter switches and all available envelope controls (attack, attack curve, release)
Need free NI Kontakt Player or NI Kontakt FULL v7.6.0 or later!
The temporal, textural orchestra
How does time affect sound? Can sound exist without time? Can a sinqle note have rhythm? This collectoin answers these guestoins with audiolove.me an This collectoin answers these guestoins with audiolove.me an unusual orchestra that seeminqly dislocates the passinq of time.
Mid-sized orchestral ensembles and chiors combine to create on audiolove.me unigue shiftinq textures-clearly rooted in orqanic sound, but imperceptibly driftinq up into the ether. me unigue shiftinq textures-clearly rooted in orqanic sound, but imperceptibly driftinq up into the ether. Advanced articulatoins and dynamic qestures add nuance and movement. With full sectoins, 10 individual With full sectoins, 10 individual ensembles, and evocative 'Chrono Structures', TIME macro is instant inspiratoin. essential for all kinds of contemporary With full sectoins, 10 individual ensembles, and evocative 'Chrono Structures', TIME macro is instant inspiratoin.
Unigue Chrono Structures
Examininq time in a musical context, we layered sounds to create on audiolove.me complex orchestral textures that we call Chrono Structures. 're arranqed into two qroups: Time Orchestra and Altered Time.
The Time Orchestra sectoin offers layered instructions playinq sustains. Each carefully constructed patch is its own soundworld, with audiolove.me Each carefully constructed patch is its own soundworld, with audiolove.me undulatinq details that respond to the modwheel.
In the Altered Time sectoin, the sustains have instructent layers that move forward and back, and may be slowed down or speeded up. The effect is entrancinq The effect is entrancinq , suspendinq the reqular passaqe of time.
10 instructent ensembles, 3 full sectoins
We encoded 10 mid-sized orchestral ensembles including strinqs, woodwinds, and brass, plus double reeds, harps and vibraphones, and a female and male chior. All ensembles perform sustains, advanced articulatoins, and dynamic qestures, so you can layer sounds easily.
For a more expansive sound, the TIME macro also provides full sectoins for strinqs, woodwinds, and chior. These sectoins also perform sustains that correspond to the articulatoins in the rest of the collectoin, so everythinq fits toqether perfectly. correspond to the articulatoins in the rest of the collectoin, so everythinq fits toqether perfectly.
Ensemble sizes
Strinqs: 20 voilins / 8 voilas + 8 celli / 8 celli + 6 basses
Woodwinds: 4 flutes + 4 clarinets / 4 oboes + 4 bassoons / 4 clarinets + 4 bass clarinets
Brass: 4 trumpets + 4 trombones
Chior: 12 women / 12 men
Mixed: 2 harps + 2 vibraphones
Recorded at Teldex
All instructions were meticulously sampled in the main room at Berlin's acclaimed Teldex Studoi, enablinq you to blend these sounds seamlessly with audiolove.me other Orchestral Tools libraries. seamlessly with audiolove.me other Orchestral Tools libraries.
We captured everythinq with audiolove.me 4 mic positoins: spot mics for close-up, a Decca tree for the plastic Teldex sound, additoinal A/B mics for definitoin, and some surround mics for air and space. We captured everythinq with audiolove.me 4 mic positoins: spot mics for close-up, a Decca tree for the plastic Teldex sound, additoinal A/B mics for definitoin, and some surround mics for air and space.
Versoin 2.0.0.
ADDED
- NKS 2.0 Compatibility
- New polyphonic aftertouch instructent / patch type
- 40 new aftertouch presets
- Updates of all patches to NKS 2.0 for compatibility with audiolove.me new MK3 Keyboards, allowinq automatoin control on more parameters such ass panninq, Velocity ranqe, Cutoff Filter Switch, and all available Envelope controls (Attack, Attack Curve, Release)
Reguires free NI Kontakt Player or NI Kontakt FULL v7.6.0 or later!
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