[独奏大提琴音源]Westwood Instruments ROTOR – Solo Cello [KONTAKT]（30.39Gb）



KONTAKT – 30,39 GB

具有人类节奏的大提琴
以节奏为主题的独奏大提琴样本库。150 种可演奏的节奏，以真实的人类感觉和时间录制。各种速度、拍号和感觉，所有这些都完全可以同步节奏。

这里有一系列令人印象深刻的激动人心的简短发音和个人“华丽”，你可以用它来增加趣味和口音。如果这还不够，还包括一个完整的打击乐器，完全由大提琴的声音制成。

用这把真正非凡的大提琴让你的音乐动起来。

运动
中的情感 节奏受到来自每个音乐角落的乐谱和艺术家的影响。埃塔·詹姆斯（Etta James）、乔治·格什温（Georqe Gershwin）、NWA、Radoihead、Daft Punk等等。我们面临的挑战是创造出各种各样的风格和感觉，这些风格和感觉可以在多种类型中发挥作用。

将这些参考资料带入录音室，我们的方法是即兴创作并创造有节奏的大提琴部分。最终结果是 150 个原始循环节奏，它们都具有独特的感觉，在现代乐谱中既合适又适合歌曲创作和制作。

– 150 种速度同步节奏
– 15 种短发音
– 15 种华丽发音
– 打击乐声音
– 4 种制作就绪混音
– 4 种麦克风信号
– 使用免费的 KONTAKT 播放器

– 150 种可播放的速度同步节奏
– 90、120、140 bpm
– 4/4 和少数 6/8
– 简单、温柔、活泼和另类的演奏风格

短裤

– 短
笛 – 拉丝短
– 拉丝 长
– 短谐波
– 上校 Leqno
– 吉他拨片
– 皮兹 静音
– 断断续续 静音
– 断断续续 挖
– 箭袋
– 苏尔蓬刮擦
– 弹跳
– 失谐 短笛
– 失谐 短 – 失谐 短 – 失谐 Sul
Pont 膨胀

繁荣

– 递减 8ves
– 递减 5 度
– 渐强 8ves
– 渐强 5 度
– 渐强 Sul Pont 8ves
– 渐强 Sul Pont 5 度
– 半音阶下降- 半音阶上

调 – 滑音下- 滑音上下- 滑音上

下 – 弯下
– 向上
弯曲 – 下降
– 颤音半音
– 颤音全音

打击乐

– 一系列有趣且有用的打击乐声音
MX1 – 关闭
超特写和细致的混音。

MX2 – 天然
一款出色的全能组合，适用于大多数用途。

MX3 – 大肆宣传
更多的砂砾、压缩和咬合力。不是太夸张，但如果你需要大提琴来切入一个响亮的混音，这是一个很好的开始。

MX4 – 环境
音乐 这种混音听起来像是您在录音室外听音乐。
Spot
：超级干燥且超级细致的单声道位置。

关闭
这对立体声仍然非常接近，但有更多的呼吸空间。

房间
：一对 XY 立体声，具有丰富的自然声学效果。如果需要，可以很容易地坍缩成单声道。

环境
将麦克风放置在演播室外的走廊上，而演播室的门则敞开着。一个非常遥远的视角。

A cello with human rhythm
A solo cello sample library made with rhythm in mind. 150 playable rhythms, recorded with true human feeling and timing. A variety of tempos, time signatures and feel, all completely tempo-syncable.

There’s an impressive collection of exciting short articulations and individual ‘flourishes’ which you can use to add interest and accents. And if this wasn’t enough there is an entire percussion instrument included made purely from sounds of the cello.

Set your music in motion with this truly remarkable cello.

Emotion in motion
The rhythms have been influenced from scores and artists from every musical corner imaginable. Etta James to George Gershwin to NWA to Radiohead to Daft Punk and beyond. Our challenge was to create a huge variety of styles and feels that would work across multiple genres.

Taking these references into the studio, our method was to improvise and create rhythmical cello parts. The end result is 150 original looped rhythms that all have a individual feel and are right at home in both modern scores as well as fitting in to songwriting and production.

– 150 tempo-synced rhythms
– 15 Short articulations
– 15 Flourish articulations
– Percussion sounds
– 4 production-ready mixes
– 4 mic signals
– Uses the free KONTAKT PLAYER

– 150 playable tempo-synced rhythms
– 90, 120, 140 bpm
– 4/4 and a handful of 6/8
– Simple, Gentle, Lively and Alternative playing styles

Shorts

– Spiccato
– Brushed Short
– Brushed Long
– Short Harmonics
– Col Legno
– Guitar Pick
– Pizz Muted
– Staccato Muted
– Staccato Dug
– Quiver
– Sul Pont Scrapes
– Ricochet
– Detuned Spiccato
– Detuned Spiccato Long
– Detuned Sul Pont Swell

Flourishes

– Decrescendo 8ves
– Decrescendo 5ths
– Crescendo 8ves
– Crescendo 5ths
– Crescendo Sul Pont 8ves
– Crescendo Sul Pont 5ths
– Chromatic Down
– Chromatic Up
– Gliss Down
– Gliss Up
– Bend Down
– Bend Up
– Fall Off
– Trill Semitone
– Trill Wholetone

Percussion

– A whole range of interesting and useful percussion sounds
MX1 – Close
An ultra close-up and detailed mix.

MX2 – Natural
A great all-round mix suitable for most purposes.

MX3 – Hyped
More grit, compression and bite. Not too over the top, but a great start if you need the cello to cut through a loud mix.

MX4 – Ambient
This mix sounds like you’re outside the studio and listening in.
Spot
A mono position that’s super dry and super detailed.

Close
This stereo pair is still very close but with bit more space to breathe.

Room
An XY stereo pair with plenty of natural acoustics. Can easily collapse to mono if needed.

Ambient
A mic placed in the hallway outside the studio, whilst the studio door was left open. A very distant perspective.

🏠 HomePage