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康泰克Kontakt标准和非标准音色分门别类一键入库及使用方法
[全家桶]康泰克Kontakt音色标准和非标准音色一键入库工具及常见问题 [WiN, MacOSX]
P2P | 21 April 2019 | 67.9 GB
我们花了六个月的时间,试图填补我们认为当今合成器和样本库市场的一个空白。Scoring Synths 是一款激动人心的最终产品,它录制了世界上两款最具标志性的合成器,将它们重新放大或“世界化”到美国音质最佳的现场录音室之一,并使用一系列珍贵的复古麦克风进行重新录制。从合成器本身,到转换器、前置放大器、母带扬声器、麦克风和配乐舞台,在打造这款强大的新工具的过程中,我们对音质没有做出任何妥协。Scoring Synths 确实是同类中的第一个样本库。
现代电影配乐很大程度上依赖于合成器来伴奏和增强管弦乐队的各个部分,但这些合成器的音色很少能体验到在同一声学空间录制所带来的音质优势。经典的单声道合成器音色饱满、锐利,但缺乏一定的灵活性和可复现性。现代软合成器看似功能无限,但在音质上却远逊于老一代模拟合成器。我们的目标是汲取新旧元素之精华,精心打造专为电影配乐和管弦乐创作而设计的音色,将其沉浸于丰富的声学环境中,创造出前所未有的音质。我们非常自豪地宣布推出我们的首款产品——Scoring Synths,它将成为合成器采样库的新标杆。
完整音色列表:
点击查看
• PERCUSSION
◦ Brushed Perc
◦ Drum 1
◦ Drum 2
◦ Drum 3
◦ Drum 4
◦ Drum Rolls
◦ Hand Drum 1
◦ Hand Drum 2
◦ Huge Bass Drum
◦ Kick 1
◦ Kick 2
◦ Kick 3
◦ Kick 4
◦ Kick 5
◦ Kick 6
◦ Kick 7
◦ Kick 8
◦ Kick 9
◦ Kick 10
◦ Kick 11
◦ Kick 12
◦ Cymbal 1
◦ Cymbal 2
◦ Metal Sheet 1
◦ Metal Sheet 2
◦ Metal Sheet 3
◦ Metal Sheet 4
◦ Metal Sheet 6
◦ Metals
◦ High Hat 1
◦ High Hat 2
◦ High Hat 3
◦ High Hat 4
◦ High Hat 5
◦ Snare 1
◦ Snare 2
◦ Taps 1
◦ Taps 2
◦ Taps 3
◦ Taps 4
◦ Taps 5
◦ Tonal Perc 1
◦ Tonal Perc 2
◦ Tonal Perc 3
• FX
◦ Bell Reversal
◦ Bends 1
◦ Bends 2
◦ Erratic Build
◦ Feedback
◦ Harmonic Swell
◦ Helicopters
◦ Horn Blast
◦ Space Waves
◦ Sub Drop 1
◦ Sub Drop 2
◦ Sub Drop 3
◦ Sub Drop 4
◦ Sub Drop 5
◦ Sub Drop 6
◦ Sub Drop 7
◦ Sub Drop 8
◦ Sub Drop 9
◦ Sub Drop 10
◦ Sub Drop 11
◦ Sub Drop 12
• BASS
◦ Bass Pluck Solo1
◦ Bass Pluck Solo 2
◦ Bass Pluck Solo 3
◦ Bass Pluck Solo 4
◦ Bass Pluck Solo 5
◦ Bass Pluck Solo 6
◦ Bass Pluck Solo 7
◦ Bass Solo 1
◦ Bass Solo 2
◦ Bass Solo 3
◦ Bass Solo 4
◦ Bass Solo 5
◦ Bass Solo 6
◦ Bass Pluck 1
◦ Bass Pluck 2
◦ Bass Pluck 3
◦ Bass 1
◦ Bass 2
◦ Bass 3
◦ Bass 4
• SYNTH
◦ Modern Pluck 1
◦ Modern Pluck 2
◦ Modern Pluck 3
◦ Modern Pluck 4
◦ Modern Pluck 5
◦ Modern Pluck 6
◦ Modern Pluck 7
◦ Stabs 1
◦ Stabs 2
◦ Stabs 3
◦ Swells 1
◦ Swells 2
◦ Swells 3
◦ Swells 4
◦ Swells 5
◦ Arp 1
◦ Arp 2
◦ Arp 3
◦ Synth Pluck 1
◦ Synth Pluck 2
◦ Synth Pluck 3
• PADS
◦ High Pad 1
◦ High Pad 2
◦ High Pad 3
◦ High Pad 4
◦ High Pad 5
◦ Low Pad 1
◦ Low Pad 2
◦ Low Pad 3
◦ Low Pad 4
◦ Low Pad 5
◦ Misc Pad 1
◦ Misc Pad 2
◦ Misc Pad 3
• SUB
◦ Sub Filler 1
◦ Sub Filler 2
◦ Sub Filler 3
◦ Sub Filler 4
◦ Sub Filler 5
◦ Sub Filler 6
◦ Sub Filler 7
需要完整版 Kontakt 5
We embarked upon a six month long journey to fill what we believe is a void in today’s synth and sample library market. Scoring Synths is the exciting end product of recording two of the most iconic synthesizers in the world, reamping or “worldizing” them into one of the best sounding live rooms in the U.S., and re-recording them with an array of priceless vintage microphones. From the synths themselves, to the converters, preamps, mastering loudspeakers, mics and scoring stage, not a single sonic compromise was made in the process of creating this powerful new tool. Scoring Synths truly is the first sample library of its kind.
Modern film score relies heavily on synthesizers to accompany and reinforce the sections of the orchestra, yet rarely do those synth tones experience the sonic benefit of being recorded in the same acoustic space. Classic mono synths offer a richness in plangency and punch, while lacking a degree of flexibility and recall ability. Modern soft synths have seemingly limitless features but fall short sonically when compared with their older analogue counterparts. Our goal was to take the best aspects of the old and the new, craft tones specifically designed for film score production and orchestral compositions, immerse that in a lush acoustic environment, and create something that simply hadn’t existed until now. We are incredibly proud to announce our first product and a new benchmark in synthesizer sample libraries — Scoring Synths.
FULL version of Kontakt 5 is required
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