[动态立体声控制台均衡器]Plugin Alliance Harris Doyle Natalus DSCEQ v1.1.1 [WiN, MacOSX]（25.49MB+）

Win：TCD | 29 May 2024 | 25.49 MB
Win：BUBBiX | 21 May 2024 | 73 MB
Mac：Team HCiSO | 12 April 2025 | 95.00 MB

安装方法：Win-BUBBiX版，安装并替换为 patched。Win-TCD版，直接安装，免激活版本。Mac- HCiSO版，直接安装，免激活版本。

Natalus 动态立体声控制台均衡器 （DSCEQ） 不仅仅是一个声音华丽的无源均衡器。其独特的“峰值电平”控件在保留动态的同时增强了音频。它通过向信号添加磁控动态处理来实现这一点 – 类似于您在校准良好的磁带机中找到的那种温和的压缩和饱和。

前所未有的平滑瞬态
虽然它首先是作为 EQ 设计的，但许多用户最喜欢的功能是 Natalus 非常简单的单旋钮动态部分。当你调高 Peak Level 控件时，磁性变压器会以比任何传统压缩器或限制器更平滑、更干净、更模拟的方式降低瞬态峰值的强度。用它来驯服原声吉他、合成器和打击乐上的 “尖刺” 高频。将 Natalus DSCEQ 应用于底鼓和军鼓，以获得令人满意的磁带状“冲击”。

摇动旋钮以应用音乐音调塑造
像 DSCEQ 这样的被动 EQ 的美妙之处在于它们能够帮助您显着重塑声音，而不会让它们感觉过度处理或 “EQ ”。不要害怕将这些旋钮转动得比您认为它们应该走得更远。每个旋钮 “调到 11 度”都有充分的理由：由于 Natuls 的宽带宽、互补的 EQ 曲线和单个模拟化妆增益tage ，戏剧性的动作可以产生音乐般的效果。把它想象成一个 Pultec，它的声音可能更清晰、更流畅——并且具有更灵活和用户友好的控制。

对模拟原件的完美模拟，具有附加功能
Brainworx 的工程师煞费苦心地对 Rod Harris 和 Govinda Doyle 的原始 Natalus 硬件设计进行建模，以重现原件性能的每一个细微差别。但他们所做的不止于此，还添加了专有的仅限插件的功能，如 TMT、Auto Listen、Mono Maker、立体声宽度控制、M/S 处理等。

→特点：

• 精确模拟独特的 Harris Doyle Natalus 动态立体声控制台均衡器。
• 4 个无源均衡器频段，带有低切滤波器和重叠频率控制。
• 专有的 “峰值电平” 电路以磁性方式响应瞬态，类似于磁带机，控制瞬态并产生美丽的 “绽放” 效果。
• 直观的界面，让用户专注于创造力 – 而不是技术 EQ 设置。
• BRAINWORX 仅插件功能。
• TX Drive – 仅适用于变压器模型的 “Headroom” 参数。Brainworx 的创新。
• 内置 Brainworx 的 TMT：公差建模技术（TMT，美国专利号 10,725,727）模拟电子元件中的通道间差异，以获得最逼真的模拟声音
• Mono Maker：将低频内容相加为单声道，为您提供集中、有力的低音响应。
• Stereo Width（立体声宽度）：扩展轨道的立体声宽度。
• 一个单独的 Mono 版本，用于在单个轨道（如 Bass Drum、Snare、Bass、Vocals 等）上使用插件。
• 可扩展的用户界面。
• 艺术家预设。

支持的作系统：

• macOS 12.0 或更高版本
• Apple Silicon 或 Intel Core 处理器

The Natalus Dynamic Stereo Console Equalizer (DSCEQ) is more than just a gorgeous-sounding passive equalizer. Its unique “Peak Level” control fattens audio while preserving dynamics. It does this by adding magnetically controlled dynamics processing to your signal – similar to the kinds of gentle compression and saturation you’d find in a well-calibrated tape machine.

Smooth transients like never before
Although it’s designed first and foremost as an EQ, a favorite feature for many users is the Natalus’ incredibly simple, one-knob dynamics section. As you turn up the Peak Level control, a magnetic transformer reduces the intensity of transient peaks in a way that is much smoother, cleaner, and more analog-sounding than any conventional compressor or limiter. Use it to tame “spiky” top end on acoustic guitars, synths, and percussion. Apply the Natalus DSCEQ to kicks and snares for a satisfying tape-like “punch.”

Crank the knobs to apply musical tone shaping
The beauty of passive EQs like the DSCEQ is their ability to help you significantly reshape your sounds without making them feel overly processed or “EQ’d.” Don’t be afraid to turn these knobs further than you think they ought to go. Each knob “goes to 11” for good reason: Dramatic moves can yield musical-sounding results thanks to the Natauls’ wide bandwidths, complimentary EQ curves, and single analog makeup gain stage. Think of it like a Pultec with a potentially cleaner, smoother sound – and with even more flexible and user-friendly control.

A perfect emulation of the analog original, with added features
The engineers at Brainworx painstakingly modeled the original Natalus hardware design by Rod Harris and Govinda Doyle to recreate every nuance of the original’s performance. But they did more than that, adding proprietary plugin-only features like TMT, Auto Listen, Mono Maker, Stereo Width control, M/S processing, and more.

→ FEATURES:

• Exacting emulation of the unique Harris Doyle Natalus Dynamic Stereo Console EQ.
• 4 bands of passive EQ with a low cut filter and overlapping frequency control.
• Proprietary “Peak Level” circuit responds to transients magnetically, similar to a tape machine, keeping transients in check and producing a beautiful “bloom” effect.
• An intuitive interface that lets users focus on creativity – not technical EQ settings.
• BRAINWORX Plugin Only Features.
• TX Drive – the “Headroom” parameter for the transformer model only. Brainworx´ innovation.
• Brainworx´ TMT inside: Tolerance Modeling Technology (TMT, US Patent No. 10,725,727) simulates channel-to-channel variances in electronic components for the most realistic analog sound in the box
• Mono Maker: Sums low-frequency content to mono, giving you a focused, punchy bass response.
• Stereo Width: To expand the stereo width of your tracks.
• A separate Mono Version for using the plugin on individual tracks such Bass Drum, Snare, Bass, Vocals, and more.
• Scalable User Interface.
• Artist Presets.

Supported Operation System:

• macOS 12.0 or later
• Apple Silicon or Intel Core processor

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