[复古钢琴音源] Midiwood Bluthner Style 6 v1.3 Lite Edition [KONTAKT]（4.05GB）

FREE | Kontakt Library | 4.05 GB

细节闪耀的采样

古老的家族钢琴。2020 年 3 月 16 日，母亲去世，这架钢琴现在萦绕在我的心头。6 个月前，她被诊断出患有手性手语 (ASL)。那天晚上，她躺在床上，无法说话，呼吸困难。呼吸机将氧气压入她衰竭的肺部，发出嘶嘶声和喘息声。它轻柔而及时的起伏，令人心旷神怡的平静。钢琴就在她旁边，我想为她弹奏一些东西，但不知何故，我就是做不到。

后来，我希望我当时就把自己交给了那个。

这架 1913 年的钢琴也显示出它的年龄。它的框架破裂了，但仍然保持着它的调音。在她去世后的几个月里，我开始萌生了对这架钢琴进行采样的想法。我想在它消失很久之后记住它的声音。后来我才意识到，这就是我的宣泄。

我对每个音符进行了五个力度层的采样，踏板向上和向下踏板，然后再次使用软踏板。有两个麦克风位置，每个位置使用三个麦克风。

外部（麦克风拨盘的最左侧）是用两个用于宽立体声的 PDA 4001 和一个用于单声道填充的 SE3300 录制的，放置在键盘上方，几乎位于琴槌内侧，取下键盘盖。这是一次尝试捕捉我记忆中的钢琴声音的尝试。

内部（麦克风拨盘的最右侧）后退有两个 XY 的 AKG C414，带有一个TUL F47 以开普敦 Tully McCullagh 制造的 Neumann U47 FET 为蓝本，作为单声道填充。内部麦克风具有更近的立体声场，但具有美丽清晰的起音，与外部阵列相得益彰。

Blüthner Style 6 GUI 简单优雅
三个主旋钮分别控制琴键和踏板噪音、麦克风位置和动态。

Reverb 和 Delay 主旋钮控制混音中的混响和延迟量。

Soft Pedal 按钮可在 Soft Pedal 打开或关闭之间切换。软踏板或 Una Corda（单弦）为音符提供柔和的毛毡音调，并且令人难以忘怀的安静。

SAMPLED IN SHIMMERING DETAIL

The old family piano. It comes to me now after the passing of my mother on March 16th 2020. She was diagnosed with ASL 6 months earlier. On that night she is in her bed, unable to speak, struggling for air. A ventilator, pressing oxygen to her failing lungs, hisses and puffs. Its soft timely heaving, devastatingly peaceful. The Piano is right next to her and I want to play something for her but somehow I just can’t.

Later I wish I had given myself to that.

This 1913 piano is also showing its age. It has a cracked frame but still holds it’s tuning. In the months after her passing the idea of sampling this piano begins to obsess in me. I want to remember its sound long after it is gone. It is only later that I realise, this is my catharsis.

I have samples every note in five velocity layers, pedal up and pedal down and all of it again with the soft pedal engaged. There are two mic positions utilising three mics each.

Outside (far left on the mic dial) was recorded with two PDA 4001’s for wide stereo and an SE3300 for mono fill placed just above the keyboard almost inside the hammers with the keyboard lid removed. This is an attempt to try capture the sound of the piano as I remember it.

Inside (far right on the mic dial) was receded with two AKG C414’s in XY with a The TUL F47 is modelled on the Neumann U47 FET built by Tully McCullagh in Cape Town as mono fill. The inside mics have a much closer stereo field but a beautiful clear attack which compliments the outside array.

The Blüthner Style 6 GUI is simply elegant
Three main knobs control key and pedal noise, mic position and dynamics respectively.

The reverb and delay master knobs control the amount of reverb and delay in your mix.

The Soft Pedal button switches between Soft Pedal on or off. The Soft pedal or Una Corda (One string) gives a muted felt tone to the notes and is hauntingly quiet.

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