[Analog channel strip saturation equalization compression plugin] Tone Empire Goliath V2 v3.6.0 [WiN, MacOSX] (102.5MB)

Win: BUBBiX | 02 February 2025 | 15 MB
Mac: MORiA | AU | VST3 | AAX* | 87.5 MB

Installation method:Direct install, no activation version.

The Goliath V2 features 4 analog modeling processing chains including alloy (nickel, iron, steel based transformers), tube, tape and vinyl with drive control as well as FET-based envelope and 3-band equalizer.

This is a truly revolutionary "analog" sound tool. Prepare to be amazed!

What's new?
Goliath is our best-sellingplug-in (software component), now returns with a new look, complete with a new sound engine and new features.

The plugin now features 4 saturation models - alloy, tube, tape and vinyl with drivers. We now use our advanced DSP models to simulate the "real" hardware chain of analog devices using our own proprietary "multi-convolution" and component modeling techniques. In addition, the plug-in is now equipped with a full FET compressor and a 3-band equalizer and low-cut filter in its envelope.

All of these engines make the Goliath V2 a great sounding and versatile channel strip with a wide range of sound processing colors.
If you like the "beauty" of vintage analog, then the Goliath V2 is for you!

Simulation Modeling Processing Chain Component
In order to develop our fantastically realistic simulation chain, we used our proprietary "multi-convolution" and component modeling techniques to sample multiple taps on different levels of equipment.
As a result, you can actually hear the "real" sound of the device!

The signal chain in Goliath V2 is:

Low Cut EQ -> Analog Processing Selector (4 options) -> Envelope Section -> EQ Section.

alloys
This is an analog processing chain with the famous British 1081 sound, whose transformers feature nickel, iron, and steel.

Lets you appreciate the clean and silky analog finish.

valve (electronics)
The tube chain is modeled using a modern/classic tube processing chain and an AIR circuit. An immediately pleasing sound that will bring second order harmonics to your material.

magnetic tapes
Here we used an ATR-700 tape recorder at 15 ips to capture the warmth and compression of the tape. The transient "warm-up" is heard immediately, while third-order harmonic saturation is obtained.

vinyl
This vinyl features an analog mastering chain that connects to a Neumann vinyl cutter and samples multiple IRs from the dubplate.

Finally, make your record sound like a "record"!

more functions
DRIVE control: This control allows you to "drive" the selected analog chain to achieve its respective saturation characteristics. The levels remain unchanged, so there is no need to continue using this output control.
Go from a light touch analog chain to full drive saturation by tapping the signal hard. You are in control of our sound!
Envelope Equalization Mix: Use this control to turn down the amount of envelope and equalization used to mix the analog chain signals in parallel before the envelope equalization portion. This can be used as a wet/dry control for envelope equalization.

Output Control: This allows you to control the final output gain of the process from -inf to +10 DB, which is useful when doing a lot of compression and needing to boost the signal or cut the level at the end.

Envelope section:
On/Off switch: enables or bypasses the envelope section.

The envelope section utilizes the Model 1176 FET compressor with threshold control and fixed controls for ratio, attack time and release time. Attack, release and ratio have been carefully selected to work with a wide variety of material. From drums to piano or vocals, you can throw anything at this compressor and it will gently control or violently grab the sound!

Threshold: the threshold at which the control envelope begins to function.
Attacks: pre-programmed fixed attack times, from fast to slow.
Release: Pre-programmed fixed release times, from fast to slow.
Ratio: Fixed ratio, ranging from 2:1 to "all buttons on" (smash ratio).

EQ section
On/Off switch: enables or bypasses the EQ section.

This section features a 3-band equalizer and low-cut filter.
Low Cut Filter: A first order low cut filter with a range from 20Hz to 60Hz.
Low EQ: The Peak Filter Equalizer is set to 65 Hz and is used to boost or cut low frequencies by +/-10 DB.
MID EQ: The Peak Filter Equalizer is set to 1.5 KHz and is used to boost or cut the midrange by +/-10 DB.
High EQ: The Peak Filter Equalizer is set to 15 kHz and is used to boost or cut high frequencies by +/-10 DB.

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ.

This is a truly revolutionary and "analog" sounding tool. Be prepared to be pleasantly surprised!

What's new ?
Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features.

This plugin now has 4 types of Saturation models - Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary "Multi Convolution" & Component Modelling Technique to simulate "Real" hardware. proprietary "Multi Convolution" & Component Modelling Technique to simulate "Real" hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

All these engines make Goliath V2 a great sounding & versatile channel strip with multiple colors of sound processing.
If you love that vintage analog "goodness", then Goliath V2 is for you!

Analog Modelled Processing Chain Section
In order to develop our fantastic and realistic sounding analog chains, we used multiple samples of hitting the gear at different levels using our proprietary "Multi Convolution" & Component Modelling Technique.
Hence you actually get the "REAL" sound of the gear!

The signal chain in Goliath V2 is.

Low Cut EQ -> Analog Processing Selector (4 choices) -> ENVELOPE Section -> EQ Section.

ALLOY
This is an analog processing chain featuring the famous British 1081 sound which has characteristics of its transformer made of Nickel, Iron, Steel.

This gives you a taste of that clean silky analog processing.

TUBE
The Tube chain is modeled using a modern/ classic valve processing chain with an AIR circuit. An immediately pleasing sound that will bring 2nd order harmonics to your material. A immediately pleasing sound that will bring 2nd order harmonics to your material.

TAPE
Here we have used the ATR-700 Tape Recorder at 15ips to capture that warmth and compression of Tape. Immediately hear your transients being "warmed" up and also get third-order harmonic saturation. Immediately hear your transients being "warmed" up and also get third-order harmonic saturation.

VINYL
This one features an analog mastering chain going to a Neumann vinyl cutting machine and multiple IRs sampled from the dubplate.

Finally, get your record to sound like a "Record"!

More Features
DRIVE Control: This controls lets you "drive" the analog chain selected for its respective saturation characteristics. levels remain the same, hence there will be no need to keep reaching for that output control.
Go from a light touch of the analog chain to full-on driven saturation by hitting the signal hard. You control our sound!
Env-EQ MIX: Use this control to dial back the amount of Envelope and EQ used by parallel mixing in the signal from the analog chain before the Env-EQ sections This acts as a kind of dry/wet control for the ENV-EQ.

OUTPUT Control: This lets you control the gain of the final output of the processing from -inf to +10 DB. It's helpful when compressing a lot and you need a signal boost at the end, or for cutting back the levels. It's helpful when compressing a lot and you need a signal boost at the end, or for cutting back the levels.

ENVELOPE SECTION.
ON/OFF Switch: Engage or bypass the Envelope Section.

The Envelope Section features an 1176 style FET compressor with controls for Threshold and fixed controls for Ratio, Attack Time & Release Time. The Attack, Release, and Ratios were carefully chosen to be applicable to a vast variety of materials. Attack, Release, and Ratios were carefully chosen to be applicable to a vast variety of materials. Drums to Pianos or Vocals, you can throw anything at this Drums to Pianos or Vocals, you can throw anything at this compressor and it will lightly control or aggressively grab the sound!

Threshold: Controls the threshold for the Envelope to kick into action.
Attack: Preprogrammed fixed Attack times going from Fast to Slow.
Release: Preprogrammed fixed Release times going from Fast to Slow.
Ratio: Fixed ratios ranging from 2:1 to "ALL Buttons In" (Smashing ratio).

EQ SECTION
ON/OFF Switch: Engage or bypass the EQ section.

This Section features a 3 band Eq and a low cut filter
Low Cut Filter: First Order Low Cut Filter ranging from 20Hz to 60Hz.
Low EQ: A peak filter Eq set at 65 Hz for boosting or cutting the low frequencies by +/-10 DB.
Mid EQ: A peak filter Eq set at 1.5KHz for boosting or cutting the mid frequencies by +/-10 DB.
High EQ: A peak filter Eq set at 15 kHz for boosting or cutting the high frequencies by +/-10 DB.

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