[EQ Equalizer] HoRNet Total EQ v1.3.3 [WiN, MacOSX] (9.8Mb)

HoRNet Total EQ v1.3.3 WiN-MOCHA| VST3/AAX | 1.8 MB

HoRNet Total EQ v1.3.2 MAC / WIN AU VST VST3 RTAS AAX| MAC / WIN | 8 MB

Installation method:Copy to your VST3/AAX plug-in (software component)Folder!

TotalEQ 1.3.2 is available, this update to plugin owners, including:
Fixed misalignment of spectrum with EQ bands
Fixed mouse wheel to reset Q to 0.1 on first move
Fixed an issue where some bands were muted after disabling "Listen" to the band
Add wheel controls for frequency and gain

The HoRNet TOTAL EQ is a precise and versatile equalizer with a handy spectrum analyzer. The unique feature of the TOTAL EQ is that every parameter of every equalizer band can be controlled from the control points on the frequency graph, which means you don't have to look around for the controls of the band you are editing, but everything will be within reach of your mouse pointer.

The EQ itself is very versatile, with up to 12 different bands available, any of which can be run like a digital precision EQ or have analog characteristics. The analog emulation in this plug-in is the most advanced we've ever done, and while it certainly simulates the saturation of analog devices, it also simulates component tolerances, so no one band behaves like another. In short, it means a slight unpredictability that makes things more interesting and "alive".

Each band works like any of the 17 different available filter types, including low-pass, high-pass, band-pass, high-shelf, low-shelf, and the classic all-parameter peak equalizer.

In addition to the standard eq controls specific to the filter type, each band can be used as a dynamic filter, borrowing from our HoRNet DynEQ's automatic startup and release, and automatic thresholding, an approach that allows you to easily control the dynamic behavior of each band without many controls, making a dynamic equalizer as simple as dragging a point on the screen.
Each band of the EQ has a Mid/Side function that allows you to individually select the source and correctly fine-tune the frequency response of the stereo image.

The plug-in also provides global controls that allow you to globally enable or disable analog emulation and saturation, as well as the ability to link inputs and outputs so that when you change one, the other is updated accordingly, and you can easily drive the plug-in's analog engine without having to change its output levels.

To make EQ decisions even easier, we've also added an "EQ LOUD" button that stands for "Equal Loudness", borrowing the code from our CLMS plugin, which allows us to keep the loudness level constant no matter what you do with the eq band, which in turn This in turn allows you to judge your EQ decisions and eliminate the infamous "loudness bias"!

hallmark
Real-time Spectrum Analyzer
Equalizer response curve display
Up to 12 different equalizer bands
17 different filter types per band
Each band can be used as a standard or dynamic equalizer
Separate control of analog response simulation for each band
Separate analog saturation control for each band
Individual control of analog saturation for each band
Solo and mute buttons for each band
M/S or stereo mode for each band
Global analog simulation and saturation switching
Automatic output compensation for input level changes
Continuous loudness monitoring
Resizable interface, hardware acceleration
Apple Silicon M1 Support
macOS (10.11 and higher with Metal) and Windows

TotalEQ 1.3.2 is available, this update is free for owners of the plugin and includes.
Fixed misalignment of frequency spectrum with EQ bands
Fixed mouse scroll wheel resetting Q to 0.1 on first move.
Fixed some bands being muted after deactivating "listen" for a band
Added scroll wheel control for frequency and gain

HoRNet TOTAL EQ is a precise and versatile equalizer with a handy spectrum analyzer. The peculiar feature of TOTAL EQ is that every parameter of each equalizer band can be controlled from the control point on the frequency chart, this simply means that you will never have to look around to find the equalizer. equalizer band can be controlled from the control point on the frequency chart, this simply means that you will never have to look around to find the controls for the band you are editing, but everything will be there right at your mouse pointer reach.

The equalizer itself is very versatile providing up to 12 different bands, any of them can behave like digital precise EQs or can have analog character. The analog emulation in this plugin is the most advanced we have ever made, of course it emulates the saturation of analog gear but also the component tolerance. analog emulation in this plugin is the most advanced we have ever made, of course it emulates the saturation of analog gear but also the component tolerance In a few words it means a slight level of unpredictability that make things more interesting and "alive ".

Each band can work like any of the 17 different available filter types, including low pass, high pass, band pass, high shelf, low shelf and the classic fully parametric peak equalizer.

In addition to the standard eq controls specific to the filter type, every band can work as a dynamic filter borrowing the automatic attack and release and the automatic threshold from our HoRNet DynEQ. the automatic threshold from our HoRNet DynEQ, this approach gives you easy control on the dynamic behaviour of the each band without needing many This approach gives you easy control on the dynamic behavior of the each band without needing many controls and making dynamic EQ as easy as dragging a dot on the screen.
Each band of the EQ has Mid/Side capabilities allowing you to select individually the source and to correctly fine tune the frequency response of your stereo image.

The plugin also provide global controls that allow you to enable or disable analog emulation and saturation globally, and the ability to link input and output so that when you change one the other gets updated accordingly and you can easily drive the analog engine of the plugin without changing its output. output so that when you change one the other gets updated accordingly and you can easily drive the analog engine of the plugin without changing its output level. level.

To take EQ decision more easily we also added the "EQ LOUD" button that stands for "equal loudness" , borrowing the code from our CLMS plugin we are able to keep the loudness level constant no matter what you do to your eq bands, this in turns gives you the , borrowing the code from our CLMS plugin we are able to keep the loudness level constant no matter what you do to your eq bands, this in turns gives you the ability to judge your EQ decisions removing the infamous "loudness bias"

Features
Realtime spectrum analyzer
Equalizer response curve display
Up to 12 different equalizer bands
17 different filter types for each band
Each band can act as a standard or dynamic eq
Separate control for analog response emulation for each band
Separate control for analog saturation for each band
Separate control for analog saturation amount for each band
Solo and Mute buttons for each band
M/S or stereo mode for each band
Global analog emulation and saturation switches
Automatic output compensation on input level change
Constant loudness monitoring
Resizable interface, hardware accelerated
Apple Silicon M1 support
macOS (10.11 and later with Metal) and Windows

home page

https://www.hornetplugins.com/plugins/hornet-total-eq/