[印度民族特殊鼓音源]Indigisounds Chutney and Tassa Starter Pack [KONTAKT]（1.45Gb）

KONTAKT – 1,45 GB

在加勒比地区废除奴隶制之后，东印度契约劳工来到西印度群岛，将另一种文化带到了这里。他们带来的最重要的元素是他们的音乐特征。东印度契约劳工主要来自印度斯坦地带，主要在特立尼达和多巴哥、苏里南和圭亚那种植甘蔗。
这个样本库包括西印度克里奥尔音乐创新史上出现的两种主要音乐子流派，这两者都是东印度移民进入加勒比地区的结果。
酸辣酱音乐是从博杰普尔民间音乐演变而来的。使用的主要乐器是簧风琴、达塔尔和多拉克。这种传统的酸辣酱声音是加勒比地区印度侨民原始而有机表达的开创性形式。多年来，随着狂欢节产业的快速发展，Chutney 的旋律和节奏也不断演变，以适应技术和品味的变化，并催生了 Chutney-Soca 跨界音乐流派。然而，Chutney 仍然保留了 dholak 的狂热节奏、簧风琴的旋律和舒缓的嗡嗡声以及传统的旋律和编曲。您可以轻松获得真实的 dholak、dhantal 和簧风琴样本和循环库。其中还包括流行的即兴表演和表达方式的声乐样本，有助于为您的作品带来即时的风格。
塔萨鼓是从印度北部和中部平原演变而来的。使用的主要乐器是 Dhol 或低音鼓、加勒比海地区的 nagara 等同物（称为 kutter 鼓）和 Jhanj 钹。塔萨极具感染力的节奏已经成为这个双岛共和国庆祝活动的代名词。雷鸣般的低音伴随着刺耳的 kutter 唤醒身体，听从它的指挥。Tassa 是所有传统印度婚礼和庆典的支柱，现在可以无缝地适应任何音频制作。其感染力十足的效果可以应用于任何打击乐合奏和创意。
功能：
可访问超过 3100 个手工制作的音乐样本：
+ Chutney
– Harmoniums – 2 x – 单击 x 3 个力度层和建模噪音。-
Dhatal –
/-/ 单击 -1 x – 2 个麦克风位置、5 个力度层和 4 个循环。/-/
循环 – 可访问超过 12 种签名节奏（44.1KHz）。-
Dholak –
/-/ 单击 – 3 x – 2 个麦克风位置、5 个力度层和 4 个循环。/-/
循环 – 可访问超过 52 种签名节奏（44.1KHz）。-
Ad-libs [/i]– 14 x – Chutney 男性和女性 Ad-libs。[/i]

+ Tassa
– Kutter
/-/ 单击 – 5 x – 2 个麦克风位置、5 个力度层和 4 个循环。
/-/ 循环 – 63 种招牌节奏 (44.1KHz)。
– Dhol
/-/ 单击 – 3 x – 2 个麦克风位置、5 个力度层和 4 个循环)。
/-/ 循环 – 7 种招牌节奏 (44.1KHz)。
– Jhanj
单击 – 2 x – 2 个麦克风位置、5 个力度层和 4 个循环。
循环 – 8 种招牌节奏 (44.1KHz)。
所有节奏都与节奏一致，以提高可玩性。
可选择访问速度、调音、量化、攻击和保持功能 (主页)。 可选择
访问反向、合唱、移相器、混响延迟和滤波器 (FXPage)。
可选择访问招牌 Indigisounds Breakaway 响度，方便您轻松掌控。
使用 NKS 就绪的 KONTAKT、KONTAKT PLAYER、KOMPLETE 作为 VST 或 AU 插件，为音乐符号软件和数字音频工作站提供播放功能。……
对于制作人来说，可能性是无穷无尽的……

In the aftermath of the abolition of slavery in the Caribbean, the East Indian indentured labourers arrived bringing with them another culture to the melting pot of the West Indies. Foremost of the elements which they brought with them was their musical identity. East Indian indentured labourers came mainly from the Hindustan belt to cultivate the sugar plantations predominantly in Trinidad and Tobago, Suriname, and Guyana.
This sample library offer comprises the two major musical sub-genres to emerge within the history of West Indian Creole musical innovations, both of which are the result of the East Indian immigrant presence in the Caribbean.
Chutney music evolved from the Bhojpuri folk music. The primary instruments used are the harmonium, dhantal, and dholak. This traditional chutney sound is the seminal form of original and organic expression of the Indian diaspora in the Caribbean. The Chutney melodies and rhythms have evolved over the years to adapt to changes in technology and taste while moving forward with the strides in the Carnival industry, giving rise to the crossover genre of Chutney-Soca. However, Chutney still retains the frenetic rhythms of the dholak coupled with the melodic runs and soothing hums of the harmonium as well as traditional melodies and arrangements. At your fingertips is a library of authentic dholak, dhantal and harmonium samples and loops. Vocal samples of popular ad-libs and expressions also are included to help bring that instant flair to your productions.
The Tassa drums evolved from the North and Central Plains of India. The main instruments used are the Dhol or bass drum, the Caribbean equivalent of nagara known as the kutter drum, and the Jhanj cymbal. Tassa’s infectious rhythm has become synonymous with the celebration in the twin-island Republic. The thunderous bass accompanied by the piercing kutter awakens the body to move to its command. A mainstay at all traditional Indian weddings and festivities, the Tassa can now be adapted seamlessly into any audio production. Its infectious effect can be applied to any percussive ensembles and ideas.
Features:
Access to over 3100 handcrafted music samples of:
+ Chutney
– Harmoniums – 2 x – single strike x 3 velocity layers and modeled noises.
– Dhatal –
/-/ Single Strike -1 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
/-/ Loops – Access over 12 signature rhythms(44.1KHz).
– Dholak –
/-/ Single Strike – 3 x – 2 microphone placements, 5 velocity layers, and 4 round robins).
/-/ Loops – Access over 52 signature rhythms (44.1KHz).
– Ad-libs [/i]– 14 x – Chutney male and female Ad-libs.[/i]

+ Tassa
– Kutter
/-/ Single Strike – 5 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
/-/ Loops – 63 signature rhythms(44.1KHz).
– Dhol
/-/ Single Strike – 3 x – 2 microphone placements, 5 velocity layers, and 4 round robins).
/-/ Loops – 7 signature rhythms(44.1KHz).
– Jhanj
Single Strike – 2 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
Loops – 8 signature rhythms(44.1KHz).
All rhythms are tempo-aligned to improve playability.
Option to access speed, tuning, quantization, attack and hold features(Main Page).
Option to access reverse, chorus, phaser, reverb delay, and filter (FXPage).
Option to access the signature Indigisounds Breakaway loudness at the convenience of your fingertips.
Playback capability for music notation software and Digital Audio Workstations using NKS ready KONTAKT, KONTAKT PLAYER, KOMPLETE as a VST or AU plugin.
…..The possibilities for you the producer are endless…