[新理念钢琴库]XPERIMENTA Audio Due [KONTAKT]（16.38Gb）

KONTAKT – 16,38 GB | Incl. BONUS Patches

视频演示：



音色介绍：

C3 + C7当 Flavio 和团队决定制作这个采样库时，他们心中有一个目标，那就是创造一些特别的东西，一些独一无二的东西，能够真正保留住原声钢琴的本质。我们将采样艺术与编程艺术结合起来，制作出了最好的采样钢琴，旨在满足最挑剔的作曲家和音乐家的需求。

XPERIMENTA Due 是我们新理念的钢琴库，包含两架使用顶级设备录制的优质钢琴和独特的细节。

– 一个库中有 2 架美丽的采样钢琴：C7 Gran Coda 和 C3 Half Coda 
– 14 个动态层半音采样– 16.6GB，9.500 个样本和 1 年的工作
– 最多 3 个麦克风位置：近距离、播放器（仅限 C7）、房间
– 真实共振、泛音和高级重复模拟
– 使用“共振峰”、“音调平衡”和集成包络塑造您的声音。
– 15 个噪音层（棉花、树叶等）和 9 个乐器层（合唱团、康特勒琴等）
– 新功能！“感觉”模拟加重键盘的响应
– 新功能！现在 Due 支持半踏板

每位钢琴家都知道，并非所有的钢琴都是相同的。每架乐器都有不同的触感和音色，有时找到适合特定曲目的正确钢琴非常重要。

这就是为什么我们会如此深入地采样这两架乐器：我们希望给客户自由选择不同乐器的权利，同时确保录音质量一致。

录音的艺术
经过无数次测试后，我们使用顶级麦克风如 DPA、Neumann、Gefell，在赫尔辛基西贝柳斯学院工作室两个美妙的声音环境中录制了钢琴。

编程的艺术
我们通过精细采样机械部件（例如锤子和踏板的声音）和物理建模的编程理念来模拟钢琴的声学行为。

共鸣的游戏
我们认为钢琴不仅仅是其声音的总和：事实上，当弹奏时，所有的琴弦都在相互作用，形成复杂的互动。我们在两种方式上重现了这种互动：

泛音：我们采样了“泛音”，即琴弦通过共鸣产生的和声共振，由一个特殊引擎控制。我们也采样了踩下延音踏板时琴弦的声音。

脉冲响应：与西贝柳斯学院音乐技术部门合作，我们采样了 C7 的琴弦和琴身的冲击响应。

Formant 控制
“Formant”允许你通过改变声音的共振峰来让钢琴的声音变得“更大”或“更小”。它既可用于塑造声音，也可用于创造性的目的。在最大/最小值时，你可以创建慢速效果（如演示所示）或小精灵般的旋律。

麦克风设置
我们对具有多个麦克风位置的钢琴进行了采样。

– “靠近”：麦克风靠近琴弦，声音现代而干净。
– “播放器”：麦克风与播放器处于同一位置。音效非常自然，且平衡性好。
– “房间”：麦克风远离钢琴，因此它们将捕捉到录音室的反射。声音很宽广，非常适合古典音乐。图层扩展您的可能性：Due 可让您在钢琴声音中添加噪音或乐器层。使用此功能，可以创建类似毛毡的钢琴（带棉层）或完整的声音预设（带合唱层）。
– 噪音层：棉花 2、棉花 2、软棉、纸、海绵、树叶、弦乐打击乐、钥匙、金属、塑料 1、塑料 2、暖塑料、玻璃、铃铛 1、铃铛 2 
– 乐器层：铃铛、康特勒琴、钢琴、泛音、合唱团、吉他、钟琴、颤音琴、电子吉他Oldify “Oldify” 是一系列可让您模拟旧录音的效果。
– 磁带会给声音添加谐波失真– Flutter 模拟磁带的快速调制
– Wow 模拟磁带的缓慢随机调制
– Filter 是一种带通滤波器：在这里您可以轻松模拟蹩脚的扬声器，例如电话呼叫卷积混响在 17 种卷积混响之间进行选择，并将钢琴放置在您想要的位置！IR 混响：房间 1、房间 2、大房间 1、大房间 2、大房间 3、大厅 1、大厅 2、木材 1、木材 2、大厅、歌剧厅、停车场 1、停车场 2、教堂 1、教堂 2、竞技场、春天。

原文介绍：

C3 + C7
When Flavio and the team decided to make this sample library, they had in mind to create something special, something unique, that could really keep the real essence of the acoustic piano. We combined the art of sampling and the art of scripting to make the best sampled piano we could, made for satisfying the most demanding composers and musicians.

XPERIMENTA Due is our new-philosophy piano library, containing two premium pianos recorded with top-end gear and unique detail.
– 2 beautiful sampled pianos in one library: a C7 Gran Coda and a C3 Half Coda
– 14 Dynamic Layers chromatically sampled
– 16,6GB, 9.500 samples and 1 year of work
– Up to 3 Microphone positions: Close, Player (only C7), Room
– Real Sympatetic Resonance, Overtones and advanced Repedaling simulation
– Shape your sound with “Formant”, “Tone balance” and an integrated envelope.
– 15 noise layers (cotton, leaves, etc.) and 9 instrument layers (choir, kantele, etc.)
– New! “Feeling” simulates the responce of a weighted keyboard
– New! now Due supports Half Pedaling
Every pianist knows that not all the pianos are the same. Each instrument can have a so different touch and color, and sometimes it is important to find the right piano for the right piece.

This is why we sampled two instruments so deeply: we wanted to give to our customers the freedom to choose between two different instruments, recorded both with the same quality.

The art of recording
After endless sessions of testing, we recorded the pianos using only top-end microphones as DPA, Neumann, Gefell, in two beautiful-sounding rooms in Sibelius Academy Studios, Helsinki.

The art of scripting
We simulated the acoustic behaviour of the piano, with a combination of fine sampling of the mechanics (i.e. hammer and pedal noises) and a phisic-modeling philosophy of scripting.

The game of the resonance
We believe that a piano is not just a sum of its sounds: indeed, all the strings “interact” each other when played, in a complex game. We recreated this interaction in two ways:

Overtones: We sampled the “overtones”, that are the harmonic resonances that the strings generate by sympathetic resonance, controlled by a special engine. We also sampled the sound of the strings with the sustain pedal down.

Impulse Response: in collaboration with the Sibelius Academy Music Technology Department, we sampled the impulse response of the strings and the body of the C7.
Formant control
“Formant” allows you to make the sound of the piano “bigger” or “smaller”, by changing the formant of the sound. It can be used both for shaping the sound and for creative purposes. On maximun/minimum values, you can create a slow-down effect (like in the demo) or a chipmonk tune.

Microphone settings
We sampled the pianos with multiple microphone positions.

– “Close”: the microphones are close to the strings, and the sound is modern and clean.

– “Player”: the microphones are in the same position of the player. The sound results incredibly natural and well balanced.

– “Room”: the microphones are far from the piano, so they will capture the reflection of the recording room. The sound is wide and it fits well with classical music.
Layers
Expand your possibilities: Due allows you to add a noise or an instrument layer to the sound of the piano. With this feature, is possible to create a felt-like piano (with a cotton layer) or a full sound preset (with a choir layer).

– NOISE LAYERS: Cotton 2, Cotton 2, Cotton Soft, Paper, Sponge, Leaves, String Perc, Key, Metal, Plastic 1, Plastic 2, Warm Plastic, Glass, Bells 1, Bells 2

– INSTRUMENT LAYERS: Bells, Kantele, Piano, Harmonics, Choir, Guitar, Glockenspiel, Vibraphone, E. Guitar
Oldify
“Oldify” is a collection of effects that allows you to simulate an old recording.

– Tape adds an harmonic distorsion to the sound

– Flutter simulates a fast modulation of the tape

– Wow simulates a slow and random modulation of the tape

– Filter is a band-pass filter: here you can easily simulate crappy speakers, like a phone-call
Convolution Reverb
Choose between 17 convolution reverb, and place your piano where you want!

IR Reverb: Room 1, Room 2, Large Room 1, Large Room 2, Large Room 3, Hall 1, Hall 2, Wood 1, Wood 2, Large Hall, Opera Hall, Parking 1, Parking 2, Church 1, Church 2, Arena, Spring.

P2P

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