[附加：布鲁特纳音乐会三角钢琴] Vienna Symphonic Library Studio Bluthner 1895 Additional for Synchron Pianos [WiN]（17.9GB）

关联资源
[专用的钢琴播放器] Vienna Symphonic Library Vienna Synchron Piano Player v1.3.1542 Incl Emulator [WiN]
[重磅：R2R VSL 钢琴音色库修复程序] VSL Pianos PianoCore Volumes FiXED [WiN]

特别推荐
[立体声：布鲁特纳音乐会三角钢琴] VSL Studio Bluthner 1895 Stereo for Synchron Pianos [WiN]
[附加：雅马哈旗舰音乐会三角钢琴] VSL Yamaha CFX Additional for Synchron Pianos-R2R [WiN]
[世界顶级法齐奥利音乐会三角钢琴] VSL Fazioli F308 Essentials Stereo for Synchron Pianos-R2R [WiN]
[世界顶级贝森朵夫音乐会三角钢琴] VSL Bosendorfer Imperial Essentials Stereo for Synchron Pianos-R2R [WiN]
[立体声：施坦威旗舰D-274音乐会三角钢琴] VSL Synchron Concert D-274 Stereo for Synchron Pianos-R2R [WiN]
[立体声：维也纳音乐会三角钢琴] VSL Bosendorfer 280VC Stereo for Synchron Pianos-R2R [WiN]

P2P | 02 February 2026 | 17.9 GB

安装方法：参考=》[专用的钢琴播放器] Vienna Symphonic Library Vienna Synchron Piano Player v1.3.1542 Incl Emulator [WiN]

标准 = 立体声
全频 = 立体声 + 附加

– 需要 VSL Vienna Synchron Piano Player-R2R –链接
– 已包含修复后的钢琴音源文件（由 It_Used 提供 – 感谢！） –链接
– 要求：VSL Studio Blüthner 1895 Stereo for Synchron Pianos（标准版）
历史杰作，永恒之声。
这架卓越的三角钢琴，是一件您可以亲手演奏的音乐史瑰宝。布鲁特纳钢琴制造于1895年，以其细腻清晰、温暖醇厚的音色而著称，且用途广泛。正因如此，布鲁特纳钢琴不仅能完美融入当代录音，更能驾驭在它诞生之初甚至还不存在的音乐类型。布鲁特纳钢琴轻松超越了时间和音乐的界限。
– 翻新的193厘米（6英尺4英寸）三角钢琴，采用专利Aliquot琴弦
– 完美展现了布鲁特纳传奇的“黄金音色”
– 录制于维也纳Synchron Stage B舞台
– 先进的Release采样技术
– 多麦克风位置，带来丰富的音色变化
– 预设主音色：“音乐会”、“亲密”、“演奏家”、“流行”、“氛围”、“复古”
– FX预设，可增强、扭曲或营造神秘的钢琴音色
– 柔音踏板（una corda）、持续音踏板、延音踏板
– 半踏板和重复踏板
– 共鸣
– 琴身共鸣
点击查看
这架卓越的三角钢琴由著名的莱比锡尤利乌斯·布鲁特纳钢琴制造厂于1895年制造。维也纳同步舞台剧院在维也纳钢琴大师伯恩哈德·巴拉斯的精心修复后购得此琴。
这架6英尺4英寸的专业级钢琴配备了布鲁特纳公司特别研发并获得专利的Aliquot系统。该系统在高音区的传统琴弦上方设置了额外的消音琴弦，这些琴弦不被琴槌敲击，而是通过共鸣产生共鸣。这第四组琴弦增强了泛音，赋予钢琴丝绒般柔和、自然的光泽，并使其音色格外抒情，宛如歌唱。此外，这些琴弦异常纤长，张力高达20吨，进一步塑造了钢琴独特的音色。结合柔和的琴槌，布鲁特纳三角钢琴能够发出清晰而温暖柔和的音色，其丰富的音色变化远胜许多现代钢琴。
德彪西、勃拉姆斯、马勒、巴托克、李斯特、柴可夫斯基、肖斯塔科维奇和拉赫玛尼诺夫等作曲家都曾使用布鲁特纳三角钢琴创作作品。众所周知，保罗·麦卡特尼在1969年为同名电影录制主题曲《Let It Be》时，也使用了布鲁特纳音乐会三角钢琴。
维也纳交响乐图书馆的布鲁特纳1895三角钢琴录音是在维也纳同步舞台的B录音棚完成的。这个面积达69平方米（739平方英尺）、层高3.5至4.5米（11.5至14.75英尺）的录音棚拥有可控的声学环境，混响比主厅（A录音棚）要少。

完整音源库：
– 标准音源库麦克风（不包含）+ 铝带麦克风 – 近距离 2 (Coles 4038)
– 球形麦克风 – 近距离 3 (Schoeps KFM 6 球形麦克风)
– 中距离 2 (Sennheiser MKH 40)
– 主环绕立体声 (L/R)
Historic Masterpiece with Eternal Sound
This exceptional grand piano is a piece of music history you can actually play. Built in 1895, the Blüthner is characterized by a very detailed and clear, yet warm sound that is extremely versatile. That’s why the Blüthner sits extremely well in the mix of contemporary recordings and is suitable for genres that didn’t even exist when this masterpiece of craftsmanship was made. The Blüthner effortlessly transcends both temporal and musical boundaries.
– Refurbished 193 cm (6-foot-4) grand piano with patented Aliquot stringing
– Glorious example of Blüthner’s legendary “golden tone”
– Recorded at Stage B of Synchron Stage Vienna
– Advanced Release Sample Technology
– Multiple Microphone Positions – for a multitude of timbral variations
– Pre-configured Main Presets: “Concert”, “Intimate”, “Player”, “Pop”, “Ambience”, “Vintage”
– FX Presets for enhanced, warped or mysterious piano sounds
– Soft (una corda), sostenuto, sustain pedals
– Half-pedalling and re-pedalling
– Sympathetic resonance
– Body resonance
Click to view
This exceptional grand piano was built in 1895 by the famous Julius Blüthner Pianofortefabrik of Leipzig. It was acquired by Synchron Stage Vienna after having been lovingly restored by master piano builder Bernhard Balas from Vienna.
The 6-foot-4 professional scale instrument is equipped with Blüthner’s specially developed and patented Aliquot system that uses additional dampened strings positioned above the conventional strings of the treble register, which are not struck by the hammers but resonate sympathetically. This fourth set of strings enhances the overtones, providing a velvety, organic shimmer and giving the instrument a particularly lyrical “singing” quality. In addition, the strings are unusually long and thin, stretched to an enormous string tension of 20 tons, which helps define the instrument’s specific sound. In combination with its soft hammers the Blüthner grand produces a clear, yet warm and soft timbre that is superior to many modern instruments in its variety of tonal colors.
Composers such as Debussy, Brahms, Mahler, Bartók, Liszt, Tchaikowsky, Shostakowitch and Rachmaninov created their works on a Blüthner grand. Famously, Paul McCartney played a Blüthner concert grand when recording “Let It Be” for the film of the same title in 1969.
Vienna Symphonic Library’s Blüthner 1895 grand piano was recorded at Stage B of Synchron Stage Vienna. This beautiful 69 m² (739 sq ft.) live room with a 3.5 to 4.5 m (11.5 – 14.75 ft) height features a controlled acoustic environment with less ambience than the large main hall (Stage A).

Full Library:
– Standard Library Microphones (not included) + Ribbon – Close 2 (Coles 4038)
– Sphere – Close 3 (Schoeps KFM 6 Sphere)
– Mid 2 (Sennheiser MKH 40)
– Main Surround – Stereo (L/R)

Standard = Stereo
Full = Stereo + Additional

– requirement: VSL Studio Blüthner 1895 Stereo for Synchron Pianos (Standard version)