[动态均衡器]TBProAudio DSEQ3 v3.9.7 [MacOSX]（11.9MB）

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MORiA | AU | VST | VST3 | 11.9 MB

安装方法：直接安装，免激活版本。

DSEQ 是工作在频域中的动态处理器。DSEQ 借助自调节频段，可以动态消除数字刺耳感。

DSEQ 可用于所有混音和主控情况：

– 去咝声
– 驯服鼓、吉他、人声录音中的共鸣
– 消除数字刺耳性
– 平衡混音
– 去掩盖频率区域
– 支持粉红噪声混合/母带处理

DSEQ 完全在频域中工作，由于自调节动态均衡器，提供了非常高的频率选择性。DSEQ 以最高的透明度完成工作，即使努力推动。这避免了失真、移相和伪影，即使对于非常关键的声音素材也是如此。DSEQ 提供多种质量模式，甚至可以驯服单个频率。

最重要的是，DSEQ 提供了一个非常易于使用的界面。只需几个参数（阈值、选择性和攻击/释放），就可以覆盖广泛的应用。即使是初始参数集也可以使您的混音更加透明。只需选择阈值参数并逐步降低它。从那里，您可以使用预过滤器开始关注特定频率区域。

DSEQ 配有 AB-LM Lite，可提供感知响度匹配。
DSEQ 支持自定义阈值，将 DSEQ 转换为智能多频段压缩器。
DSEQ2 引入了智能 AI 功能和相应的 GUI 页面，可根据输入材料自动设置 DSEQ。
DSEQ3 引入了增益降低光谱仪和免费的 GUI 缩放和调整大小。

动态控制
DSEQ 在频域中分析输入或侧链信号，然后根据阈值触发动态均衡器。这是针对快速傅里叶变换 （FFT） 期间可用的
每个奇异频率完成的。

频率选择性决定了相邻频率是否也受到影响以及影响的程度。Attack 和 Release 控制动态均衡器的反应速度。

斜率参数允许你在进入动态均衡器之前转动输入或侧链信号的频谱。当斜率值为正时，频率较高的动态均衡器会更早触发，而频率较低的动态均衡器会更晚触发。如果您使用 witch pink noise 混合/母带处理方法，只需将斜率值设置为 +3dB。

GR 强度控制增益降低，就像压缩器中的比率一样。

GR max 将整体增益降低限制在某个值，以避免过度压缩和伪影。

自定义阈值
自定义阈值将 DSEQ 转变为灵活且高度准确的多频带压缩器。使用任何音频文件或 DAW 输入作为自定义阈值，以将动态均衡器的阈值与音频素材对齐。

交互式 EQ 显示
主 EQ/频谱显示，可让您监控 delta 频谱（输入减去输出）频谱并调整预滤波器响应曲线。

预滤波器控制
DSEQ 在整个频率范围内正常工作。您可以将效果限制在某些频率区域（例如，用于去嘶声的高音）。因此，动态均衡器的信号可以使用预滤波器进行处理。DSEQ 提供各种过滤器类型，例如截止、峰值和搁架过滤器。滤波器灵敏度决定了动态均衡器识别信号的强度。

智能人工智能
DSEQ V2 凭借其智能 AI 功能，可以更轻松地驯服数字刺耳性。正常设置 DSEQ，选择所需的 AI 学习模式，按播放启动 DAW，然后按学习按钮。DSEQ 可在几秒钟内计算出最优斜率和阈值参数。

特点
– 智能AI功能
– 智能AI GUI页面
– 自适应斜率
– 自适应阈值
– 平滑线性/自然相位动态滤波器
– 全频域处理，10Hz – 22kHz
– 7种不同音质模式：经济、经济、正常、高、超高、超2/3
– 左/右和中/侧处理
– 探测器信号（例如粉红噪声混音/母带处理）的全局斜率
– 自定义阈值曲线
– 增益衰减限值
– 压缩控制
– 自动计算最佳斜率参数
– 自动计算最佳阈值参数
– 12个独立的预滤波频段，模拟/数字风格
– 支持侧链
– 参数A/B
– 撤销/重做
– 多种信号监测模式（预滤波、增量、侧链）
– 多种频谱分析模式（立体声、左、右、中、侧）
– 感知响度匹配（由AB-LM Lite提供支持）
– 扩展输入/输出表，峰值/RMS/EBU/VU
– 窄带扫频模式
– 所有处理模式均可切换精确采样旁路
– 最低采样率，最高可达 192 kHz
– “真实”过采样，最高可达 4 倍
– 离线渲染模式
– 增益衰减光谱仪
– EQ 速查表
– 频谱斜率连续计算
– 精确参数输入
– 易于使用的 GUI
– 自由缩放和调整 GUI 大小
– 众多预设，包括智能 AI 设置
– 预设管理，包括自定义设置
– 全面支持 DAW 自动化
– 64 位内部处理
– 高效的 CPU 使用设计
– 智能静音处理
– 产品需要使用许可证密钥激活
– DSEQ 客户可免费更新

DSEQ is a dynamic processor working in the frequency domain.DSEQ is removing digital harshness on the fly thanks to self-adjusting frequency bands.

DSEQ can be used in all mix and master situations:

– de-essing vocals
– taming resonances in e.g. drum, guitar, vocal recordings
– removing digital harshness
– balancing the mix
– de-masking frequency regions
– support of pink noise mixing/mastering

DSEQ works fully in the frequency domain, providing very high frequency selectivity thanks to self-adjusting dynamic equalizers. DSEQ does its job with highest transparency even pushed hard. This avoids distortion, phasing and artefacts even with very critical sound material. And DSEQ offers several quality modes taming even singular frequencies.

On top DSEQ provides a very easy to use interface. With just a few parameters (threshold, selectivity and attack/release) a broad range of applications can be covered. Even the initial parameter set could make your mix more transparent. Just pick the threshold parameter and lower it step by step. From there you can start focusing on specific frequency regions by using the pre-filters.

DSEQ comes with AB-LM Lite providing perceptual loudness matching.
DSEQ supports custom threshold which turns DSEQ into a smart multiband compressor.
DSEQ2 introduces the smart AI function and a corresponding GUI page to setup DSEQ automatically depending on the input material.
DSEQ3 introduces gain-reduction spectrograph and free GUI scaling and resizing.

Dynamic control
DSEQ analyses the input or side chain signal in the frequency domain and triggers then the dynamic equalizers depending on the threshold. This is done for each singular frequency that is available
during the Fast Fourier Transformation (FFT).

The frequency selectivity determines whether and to what extent neighbouring frequencies are also affected. Attack and Release control how quickly the dynamic equalizers react.

The slope parameter lets you turn the spectrum of the input or side chain signal before going into the dynamic equalizers. With a positive slope value the dynamic equalizers with higher frequencies trigger earlier, with lower frequencies later. Just set the slope value to +3dB if you work witch pink noise mixing/mastering method.

GR strength controls the gain reduction like the ratio in a compressor.

GR max limits the overall gain reduction to a certain value to avoid over compression and artifacts.

Custom threshold
Custom threshold turns DSEQ into a flexible and highly accurate mulitband compressor. Use any audio file or DAW input as custum threshold to align threshold of dynamic EQs to your audio material.

Interactive EQ display
The main EQ/spectrum display which lets you monitor the delta spectrum (input minus output) spectrum and adjust the pre-filter response curve.

Pre-Filter control
DSEQ works normally in the entire frequency range. You can limit the effect to certain frequency regions (e.g. highs for de-essing). Therefore, the signal for the dynamic equalizers can be processed using pre-filters. DSEQ offers various filter types such as cut, peak and shelf filters. The filter sensitivity determines how strongly the signal is recognized by the dynamic equalizers.

Smart A.I.
DSEQ V2 makes it even easier to tame digital harshness thanks to its smart AI function. Set up DSEQ as normal, selected desired AI learn mode, press play to start the DAW and then the learn button. DSEQ calculates the optimal slope and threshold parameter within seconds.

Features
– smart AI function,
– smart AI GUI page
– adaptive slope
– adaptive threshold
– smooth linear/natural phase dynamic filter
– full frequency range processing, 10Hz – 22kHz
– 7 different quality modes: eco eco, eco, normal, high and ultra, ultra 2/3
– left/right and mid/side processing
– global slope for detector signal (e.g. pink noise mixing/mastering)
– custom threshold curve
– limit of gain reduction
– compression control
– automatic optimal slope parameter calculation
– automatic optimal threshold parameter calculation
– 12 independent pre-filter bands, analogue/digital style
– side-chain support
– parameter A/B
– undo/redo
– multiple signal monitoring modes (pre-filter, delta, side chain)
– multiple spectrum analyzing modes (stereo, left, right, mid, side)
– perceptual loudness matching (powered by AB-LM Lite)
– extended input/output meter, Peak/RMS/EBU/VU
– narrow-band sweeping mode
– sample-exact bypass toggle for all processing modes
– sample rates min. up to 192 kHz
– “real” over sampling, up to 4x
– offline render modes
– gain reduction spectrograph
– EQ cheat sheets
– continuous calculation of the spectrum slope
– precise parameter input
– easy to use GUI
– free GUI scaling and resizing
– many presets including smart AI setups
– preset management including custom setups
– full DAW automation support
– 64-bit internal processing
– very efficient CPU usage design
– smart silence processing
– product needs to be activated with license key
– free update for DSEQ customers

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