[和弦节奏钢琴音源]Spitfire Audio Olafur Arnalds Stratus UPDATED [KONTAKT](19.67Gb)

[和弦节奏钢琴音源]Spitfire Audio Olafur Arnalds Stratus UPDATED [KONTAKT](19.67Gb)插图

Spitfire Audio Ólafur Arnalds Stratus KONTAKT- 19,67 GB

Stratus 将技术的力量与钢琴的有机美感和情感融为一体,是一款庞大、充满活力的新乐器,将为您的音乐增添深度、运动和色彩。这款多功能、多维工具是与获得英国电影学院奖的冰岛作曲家兼制作人 Ólafur Arnalds 合作制作的,通过错综复杂的多节奏钢琴演奏网络来弯曲空间和时间。令人敬畏的图案和大气的谐波折射云在您的指尖膨胀和消失,根据您的演奏内容展开并立即激发新的想法。

Stratus 可即时播放且易于使用,以定制界面呈现,该界面由八个多层钢琴和合成器矩阵组成,每个矩阵都提供独特的声音体验,加上详细的定制选项和令人兴奋的扭曲声音,提供全方位的情感。

在我们与著名作曲家奥拉维尔·阿纳尔兹(Ólafur Arnalds)的第四次合作中,我们为您带来了一种全新的多维乐器,基于他广受赞誉的软件:复杂的MIDI算法被编程为在两架相同的自弹钢琴上触发音符的直线和切分节奏模式的混合。Spitfire使用这种模式创造了一个高度直观和互动的工具,并增强了独特的功能,同时录制了完整的演奏,以捕捉钢琴本身深刻的情感和有机性质–立即为你演奏的任何作品添加运动的回声,并推动你探索新的可能性。

Stratus 可以很容易地从最简单的编曲中创作出细致入微的钢琴音乐。旨在帮助您创作音乐或完成曲目或乐谱,按住一个音符或和弦,让自己迷失在独特、鼓舞人心的和声折射云和节奏表演中,因为它们在您的指尖膨胀、演变和消失。无论您试图营造什么样的氛围,它都能提供来自用户输入的全方位情感——从亲密的循环、膨胀和纹理到像雨一样落下的复杂节奏,以及梦幻、广阔的音景。

虽然由 Ólafur 特别策划,但您可以控制这些和声元素组合的发展方式——既可以通过您演奏的内容,也可以通过广泛的内置自定义选项以及全面的效果器。四个基于钢琴的矩阵捕捉了 Ólafur 钢琴令人惊叹的有机声音,在立体声场中平移,以真实地再现钢琴在其空间中,无缝融合为一体,而四个合成器矩阵采用相同的技术来创建相似的模式,使用 Olafur 的 Korg PS-3100 制作令人惊叹的速度锁定节奏循环,以及来自他的 Juno-60 的梦幻般的蜂群纹理。Randomise酒吧具有实验性控制,以进一步随机化Stratus的行为,利用图书馆的生成性质。Stratus 的多功能性适合独奏作品,并为管弦乐库添加质感和不可预测的元素,并补充我们广受赞誉的 Ólafur Arnalds 系列中的库。

Stratus 的工作原理是取一个音符并根据精心策划的节奏重复它,在两架自弹钢琴之间拆分节奏,同时根据精心策划的随机性水平将音符向上或向下移动八度,从而选择八度是否应该跳跃。我们的 Evo Grid 技术是由音符范围触发的,而 Stratus 矩阵则按语音组工作——这取决于你弹奏音符的顺序,以及你弹奏的数量。

在一场车祸导致他无法用左手演奏后遭受急性神经损伤后,Ólafur 有动力开发智能定制软件,可以触发自动演奏的半生成式“幽灵”钢琴——他的“机器人写作伙伴”,在花了两年时间与程序员 Halldór Eldjárn 一起试验以精心完善这项技术后,他将其融入了他的现场表演——在舞台上弹奏电子琴,同时他的两架相同的钢琴陪伴他创造了一连串互补的音符和模式,每场表演对每个观众来说都是独一无二的。Stratus 钢琴在他广受赞誉的 2018 年唱片 re:member 的声音世界中也发挥着不可或缺的作用。

我们被这种情感有机物理性和电子创新的独创性惊人融合所吸引,我们在雷克雅未克的 Ólafur 工作室花了几周时间捕捉这些音质独特的雅马哈 DU1E3 毛毡阻尼钢琴的自然栖息地。我们没有对单个音符进行采样,而是对两架钢琴演奏的大量多节奏模式和织体进行了完整的录音,这些模式和织体由算法同时触发,并与 Ólafur 合作精心策划。使用老式 KM83 和 Coles 麦克风以及原始的 Millenia 前置放大器进行近距离录制,我们保留了他独特的钢琴的美丽共鸣以及完整的动态和音调范围,并通过令人惊叹的技术栩栩如生。

Ólafur Arnalds 是获得英国电影学院奖的冰岛作曲家和制作人,以其独特的有机和电子音景融合来突破音乐的界限而闻名。Ólafur 始终是一位敏锐的实验者和创新者,拥有作为重金属鼓手和钢琴家的音乐基础,他开发了带有效果器、循环、节拍和他自己创新的定制软件的室内弦乐和钢琴编曲。Ólafur 总部位于冰岛雷克雅未克,其声音和作曲方法激发了新一代人欣赏和创作现代新古典主义音乐的灵感。

自 2008 年发行首张专辑《Eulogy for Evolution》以来,他在全球范围内稳步获得认可,既是获得英国电影学院奖的作曲家(Broadchurch、Wayne McGregor 的 Dyad 1909),也是巡回独奏艺术家,在新古典主义唱片公司 Erased Tapes 上发行,并在 2018 年发行的 re:member 中获得了巨大赞誉。他经常与其他音乐家合作——作为实验性技术二人组 Kiasmos 的一员,并与音乐家 Nils Frahm 一起发布一系列钢琴和合成器即兴作品。

探索我们与著名的冰岛作曲家合作创作的畅销书库:Evolutions – 独特的弦乐四重奏织体和长篇乐句;Chamber Evolutions – 介绍他标志性的“Waves”弦乐样本,这些样本在您的手指下演变;以及亲密的作曲家工具包 – 录制在一架有特色的“毛毡”三角钢琴上。对于受斯堪的纳维亚黑色运动影响的音乐家和作曲家来说,这是必不可少的,他们希望创造出美丽、进步、混合的合奏音乐。

Fusing the power of technology with the organic beauty and emotion of the piano, Stratus is a vast, dynamic new instrument that will add depth, movement and colour to your music. Made in collaboration with BAFTA-winning Icelandic composer and producer Ólafur Arnalds, this versatile, multidimensional tool bends space and time through an intricate network of polyrhythmic piano performances. Awe-inspiring patterns and atmospheric clouds of harmonic refractions swell and die away at your fingertips, unfolding based on what you play and instantly sparking new ideas.

Instantly playable and easy-to-use, Stratus is presented in a bespoke interface made up of eight multi-layered piano and synthesizer matrixes, each offering a unique sonic experience – plus detailed customisation options and mind-blowing warped sounds, offering a full spectrum of emotion.

In our fourth collaboration with renowned composer Ólafur Arnalds, we bring you a brand new, multidimensional instrument, based on his acclaimed software: sophisticated midi algorithms programmed to trigger a mix of straight and syncopated rhythmic patterns of notes, on two identical self-playing pianos. Spitfire has used this model to create a highly intuitive and interactive tool enhanced with unique features, while recording full performances to capture the profoundly emotional, organic nature of the pianos themselves – instantly adding echoes of movement to anything you play, and pushing you to explore new possibilities.

Stratus makes it easy to create nuanced piano-based music from the most simplistic of arrangements. Designed to help you write music or finish that track or score, hold down a note or a chord and lose yourself in unique, inspiring clouds of harmonic refractions and rhythmic performances as they swell, evolve and die away at your fingertips. Whatever the mood you are trying to create, it offers a whole spectrum of emotion, derived from user input – from intimate loops, swells and textures to intricate rhythms falling like rain, and dreamy, expansive soundscapes.

While specially curated by Ólafur, you control how these combinations of harmonic elements develop – both by what you play, and with extensive built-in customisation options, as well as a comprehensive range of effects. The four piano-based matrixes capture the stunning organic sounds of Ólafur’s pianos, panned across the stereo field to give a true representation of the pianos in their space, seamlessly blended into one, while the four synthesiser matrixes employ the same technology to create similar patterns, with stunning tempo-locked rhythmic loops made using Olafur’s Korg PS-3100, and dreamy swarm-like textures from his Juno-60. The Randomise bar features experimental controls to further randomise Stratus’ behaviour, taking advantage of the library’s generative nature. Stratus’ versatility lends itself to solo compositions, as well as adding texture and unpredictable elements to orchestral libraries, and complementing the libraries in our acclaimed Ólafur Arnalds series.

Stratus works by taking a single note and repeating it according to a curated rhythm, splitting the rhythm between the two self-playing pianos while at the same time relocating the note up or down the octave based on a curated level of randomness, that chooses whether or not the octave should jump. Where our Evo Grid technology is triggered by note range, the Stratus matrix works by voice groups – dependent on the order in which you play the notes, and how many you play.

After suffering acute nerve damage following a car accident that left him unable to play with his left hand, Ólafur was motivated to develop intelligent custom software that could trigger self-playing, semi-generative ‘ghost’ pianos – his ‘robot writing partners’, and after spending two years experimenting with programmer Halldór Eldjárn to painstakingly perfect this technology, he incorporated it into his live show – playing an electronic keyboard on stage while his two identical pianos accompanied him to create a cascade of complementary notes and patterns, with each performance unique to each audience. The Stratus pianos also play an integral part in the sound world of his acclaimed 2018 record, re:member.

Captivated by this stunning fusion of emotive organic physicality and the ingenuity of electronic innovation, we spent several weeks at Ólafur’s studio in Reykjavik capturing these unique-sounding Yamaha DU1E3 felt-dampened pianos in their natural habitat. Rather than sampling single notes, we made full recordings of multitudes of polyrhythmic patterns and textures performed by both pianos, triggered simultaneously by algorithms, carefully curated in collaboration with Ólafur. Recorded close using vintage KM83 and Coles microphones and pristine Millenia preamps, we have retained the beautiful resonances, and full dynamic and tonal range of his distinctive sounding pianos, brought to life by stunning technology.

Ólafur Arnalds is a BAFTA-winning Icelandic composer and producer, known for pushing the boundaries of music with his unique blend of organic and electronic soundscapes. Always a keen experimenter and innovator, with musical foundations as both a heavy metal drummer and pianist, Ólafur develops chamber strings and piano arrangements with effects, loops, beats, and his own innovative, custom-built software. Based in Reykjavík, Iceland, Ólafur’s approach to sound and composition has inspired a new generation to enjoy and create modern neoclassical music.

Since his debut album, Eulogy for Evolution, in 2008, he has steadily gained recognition worldwide, both as a BAFTA-winning composer (Broadchurch, Wayne McGregor’s Dyad 1909) and as a touring solo artist, releasing on neoclassical label Erased Tapes and receiving huge acclaim for his 2018 release, re:member. He regularly collaborates with other musicians – as part of experimental techno duo Kiasmos, and releasing a series of piano and synth improvisations with fellow musician Nils Frahm.

Discover our bestseller libraries created in collaboration with the celebrated Icelandic composer: Evolutions – unique string quartet textures and long evolving phrases; Chamber Evolutions – introducing his signature ‘Waves’ strings samples which evolve beneath your fingers; and the intimate Composer Toolkit – recorded on a characterful ‘felted’ grand piano. A must-have for musicians and composers influenced by the Scandi Noir movement, looking to create beautiful, progressive, hybrid ensemble music.

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