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[三体：中国民乐全套] 古风国风编曲必备 – R2R 圣诞版 [WiN, MacOSX]
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v1.6.0 | Team R2R | 25 December 2024 | WiN: 130 MB | MAC: 350 MB
Samples v1.0.1 |Team R2R | 25 December 2024 | WiN: 1.29 GB | MAC: 1.76 GB

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埙是一种音色低沉空灵的管乐器，距今约七千年，其最早的出土器物广泛见于河姆渡遗址、赵宝沟遗址、仰韶文化半坡遗址等考古遗址。埙通常为陶制，呈蛋形或梨形，上部有一个吹孔，一侧有多个指孔。埙在古代是宫廷和礼乐乐队的乐器，但由于十九世纪末二十世纪初的动乱，埙已不再使用。八十年代，考古学家和艺术家们重新开始演奏埙，如今埙常用于表现阴沉、跌宕的历史题材。可调声场。

在录制样本时，使用五个麦克风，以不同的位置捕捉​​埙的空间感和混响感。所有这些通道都混合成了四个通道：阴、阳和远立体声。这四个通道的音量可以在软件中调节，从而可以获得各种各样的音色：

演奏。
通过控制气流和手指，Xun 拥有非常丰富的演奏效果，如颤音、指杆弹奏、颤音、颤动、颤音、断音和滑音。所有这些演奏都可以在 Tear of Land 软件中触发，使其成为最具可调性的 Xun 虚拟乐器：

逼真的表达。
Tear of Land 拥有可自由控制的真实录制表达。通过 MIDI CC 的控制，它可以像真实的 Xun 演奏一样表达音调变化：

滑音。
通过两种不同速度的真实录制滑音样本和样本合成技术，Tear of Land 可以以可自由调节的速度演奏滑音：

自主研发的颤音引擎。
基于真实样本的 LFO 引擎使 Tear of Land 演奏的颤音既逼真又可调：

采样引擎。
自主研发音质更佳的采样引擎，更强大的磁盘缓冲流/采样压缩技术，以及全新的声音融合技术：

连奏。
我们以三种速度录制连奏音符之间的声音，并在软件中根据弹奏速度进行叠加。此外，我们还录制了中国埙特有的“常规连奏”、“爆音连奏”和“哭音连奏”：

自主研发的频谱融合连奏技术。
实录的连奏样本可以增强连奏乐器的真实感，但两个样本通过简单的交叉淡入淡出算法共轭部分会引起相位抵消问题。为了更好地衔接连奏演奏，我们研发了“频谱融合连奏”技术。在必要时，使用频域融合代替时域交叉淡入淡出来创建样本之间的过渡部分，从而提高衔接的流畅度：

丰富的音效。
我们总结并筛选了埙的八大技法，包括传统演奏技法，影视配乐，以及中国古风歌曲中常用的特殊技法，只为最大程度地保留埙的自然天赋：

卷积混响。
在中国传统系列开发之初，我们就开始从中国的风景秀丽的地方、著名的自然和历史遗产中录制卷积混响样本。由此你可以模拟在长城或兵马俑遗址上演奏的《大地的眼泪》：

效果机架。
来自 Heavier7Strings 的效果机架：包括压缩器、均衡器、合唱和乒乓延迟，可以创建更灵活的声音：

图案库。
完整的图案库，让你可以轻松将作品和想法付诸实践，丰富的图案预设可以在日后更新。并且你可以通过拖动里面的 MIDI 片段来创建自己的图案。

Xun is a wind instrument with deep vacant sound. It has a history of about seven thousand years. The earliest unearthed items can be widely found in many archaeological sites, such as the Hemudu site, the Zhaobaogou relics, and the Banpo site of Yangshao relics. Xun usually has an egg- or pear-shaped body made of pottery, with one blowing hole on top and multiple finger holes along one side. Xun is a component of aulic and ritual bands in Ancient time. However, its use has been discontinued due to the turmoil in the late-19th and early-20th centuries. In the 1980s, Xun playing was revived by archaeologists and artists, and nowadays, it is commonly used in historical topics with murky or falling scenarios.

Adjustable Sound Field.
When samples were recorded, 5 different microphones were used with different positions to capture the spatial and reverb characteristics of Xun. All these channels were mixed down to four channels: Yin, Yang and far stereo. The volumes of these four channels were adjustable in software, making it possible to obtain most various tone:

Performances.
By controlling airflow and finger, Xun has a very rich set of performances such as mordent, finger pole popping, trill, flutter, vibrato, staccato and gliss. All these performances can be triggered in Tear of Land software, making it most adjustable Xun virtual instrument:

Realistic Expressions.
Tear of Land has real-recorded expressions that are freely controllable. With the control of MIDI CC, it can express tone changes like a real Xun performance:

Gliss.
With two different speeds of real-recorded gliss samples and sample synthesis technique, Tear of Land can perform gliss at freely adjustable speed:

Self-developed Vibrato Engine.
Real-sample-based LFO engine making Tear of Land performs vibrato that is both realistic and adjustable:

Sampling Engine.
Self-developed sampling engine with better sound quality, more powerful disk buffer streaming/sampling compression technology, and brand-new sound fusion technology:

Legato.
We recorded the sound between legato notes in three speeds, and apply them according to playing speed in software. In addition, we recorded “regular legato”, “popping legato” and “cry legato” that are specific in Chinese Xun:

Self-developed spectrum fusion legato technology.
Real-recorded legato samples can enhance the realism of legato instruments, but the conjugate part by naive cross-fade algorithm of two samples would induce phase-cancellation problems. In order to better cohesive legato performance, we developed the “spectrum fusion legato” technology. When necessary, frequency domain fusion is used instead of time domain cross-fade to create transition part between samples, which improves the smoothness of the connection:

Abundant sound effects.
We summarized and screened 8 techniques of Xun, including traditional performance techniques, film and television soundtracks, and special techniques commonly used in Chinese ancient style songs, just to preserve the natural talent of Xun to the greatest extent:

Convolution reverb.
At the beginning of Chinese Traditional series development, we started to record the convolution reverb samples from spectacular places, famous natural and historical heritages in China. Thus you can simulate Tear of Land being played at the Great Wall or Terracotta Army site:

Effect Rack.
From the Heavier7Strings’ effect rack: Compressor, EQ, Chorus and Ping-Pong delay are included, allowing to create more flexible sounds:

Pattern Library.
Complete pattern library, allowing to your works and ideas easily, with rich preset of patterns that can be updated in the future. And you could create your own pattern by dragging MIDI clips inside.

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